{"id":7434,"date":"2020-03-26T18:06:46","date_gmt":"2020-03-26T17:06:46","guid":{"rendered":"https:\/\/www.akademie-solitude.de\/event\/rhythmusanalyse\/"},"modified":"2020-08-12T09:47:15","modified_gmt":"2020-08-12T07:47:15","slug":"rhythmusanalyse","status":"publish","type":"event","link":"https:\/\/www.akademie-solitude.de\/de\/event\/rhythmusanalyse\/","title":{"rendered":"RHYTHMUSANALYSE"},"content":{"rendered":"","protected":false},"author":1,"featured_media":0,"template":"","categories":[17,19],"class_list":["post-7434","event","type-event","status-publish","hentry","category-diskurs","category-symposium"],"acf":{"bgcolor":"","bgcolor_custom":"","custom_color_css_variable":"","content_type":null,"intro_preview_headline":"","intro_preview_txt":"<span style=\"color: rgb(0, 0, 0); font-family: Arial, Helvetica, sans-serif; \">The symposium&nbsp;<\/span><strong style=\"color: rgb(0, 0, 0); font-family: Arial, Helvetica, sans-serif; \">Rhythmanalysis<\/strong><span style=\"color: rgb(0, 0, 0); font-family: Arial, Helvetica, sans-serif; \">&nbsp;will focus on various types of&nbsp;<\/span><strong style=\"color: rgb(0, 0, 0); font-family: Arial, Helvetica, sans-serif; \">rhythmical<\/strong><span style=\"color: rgb(0, 0, 0); font-family: Arial, Helvetica, sans-serif; \">&nbsp;regularities as a concept for understanding different time-structures in diverse fields such as life and economic sciences, cultural and media studies, music, and aesthetics.<\/span>","intro_preview_img":8175,"event_id_old":"3528","event_subtitle":"ART, SCIENCE & BUSINESS SYMPOSIUM","event_date":"2012-11-22 20:00:00","event_date_end":"2012-11-23 00:00:00","event_location":[{"event_location_name":"Akademie Schloss Solitude","event_location_link":""}],"event_programme":"","event_taxonomy_category":[17,19],"event_practice_field":false,"event_opening":"","event_opening_times":"","event_additional_info":"","event_txt_old":"Die Veranstaltung findet in englischer Sprache statt!<br \/>\n<br \/>\n<strong><span style=\"color:#ff0000;\">CONCEPT<\/span><\/strong><br \/>\n<br \/>\nIn prehistoric cultures, <strong>rhythmical<\/strong> activities were used to memorize tool operations; in the 16th century, <strong>rhythmical<\/strong> patterns emerged as disciplinary techniques in the Orangist military; in the 19th century, the observation of <strong>rhythmical<\/strong> soundscapes in medical listening practice became an important method for gaining knowledge about physiological processes. <strong>Rhythm<\/strong> is, more over, not only a human phenomenon, but plays a crucial role in insect communication. These very few examples illustrate the ubiquity of <strong>rhythmical<\/strong> structures from time immemorial. With the emergence of the information age and digitally coded technologies, we have been surrounded by <strong>rhythmically<\/strong> structured communication networks and <strong>rhythmical<\/strong> regularities have become faster and increasingly difficult to visualize.<br \/>\nDespite its omnipresence, the significance of <strong>rhythm<\/strong> seems to be underestimated. Thus, the symposium <strong>Rhythmanalysis<\/strong> will focus on various types of <strong>rhythmical<\/strong> regularities as a concept for understanding different time-structures in diverse fields such as life and economic sciences, cultural and media studies, music, and aesthetics. In this respect, it is following Gaston Bachelard\u2019s influential \"The Dialectics of Duration\" (1936) and Henri Lefebvre\u2019s posthumous \"<strong>Rhythmanalysis<\/strong>: Space, Time and Everyday Life\" (1992). In lectures, discussions, and performances, the symposium\u2019s participants will analyze the notion of <strong>rhythm<\/strong> in terms of sequentiality, time processuality, and measure of movement, as well as, outline effects of <strong>rhythm<\/strong> on humans and animals, nature and culture, space and time.<br \/>\n<br \/>\n<strong>MORE INFORMATION CAN BE FOUND ON <span style=\"color:#ff0000;\">&nbsp;<\/span><\/strong><a href=\"https:\/\/go.madmimi.com\/redirects\/1350927180-321a7c3dddc1143afafdd170519bcd62-6401dc6?pa=255583896461929853\"><span style=\"color:#ff0000;\"><strong>www.rhythmanalysis.de<\/strong><\/span><\/a><br \/>\n<br \/>\nThe symposium is initiated by <strong>Dr. des. Shintaro Miyazaki,<\/strong> media theoretician, Berlin. <br \/>\nFunded by <a href=\"https:\/\/go.madmimi.com\/redirects\/1350927180-ceb613163e9ecabb0497237e49a2b45f-6401dc6?pa=255583896461929853\"><span style=\"color:#ff0000;\">Andrea von Braun Stiftung<\/span><\/a> and <a href=\"http:\/\/www.cogitofoundation.ch\"><span style=\"color:#ff0000;\">cogito foundation.<\/span><\/a><br \/>\n<br \/>\n<hr \/>\n<p>\n\t<br \/>\n\t<span style=\"color:#ff0000;\"><strong>PARTICIPANTS<\/strong><\/span><br \/>\n\t<strong>Prof. Dr. Blandine Bril,<\/strong> L\u2019\u00c9cole des Hautes \u00c8tudes en Sciences Sociales, Paris<br \/>\n\t<strong>Prof. Dr. Dietmar Maringer<\/strong>, University of Basel<br \/>\n\t<strong>Dr. Mara Mills<\/strong>, New York University <br \/>\n\t<strong>Dr. Marianthi Papalexandri-Alexandri<\/strong>, composer and sound artist, Berlin<br \/>\n\t<strong>Prof. Dr. Wolfgang Sch\u00e4ffner,<\/strong> Humboldt University of Berlin <br \/>\n\t<strong>Jan Thoben<\/strong>, musicologist, author, and curator, Berlin <br \/>\n\t<strong>Dr. Meta Virant-Doberlet<\/strong>, National Institute of Biology, Ljubljana<br \/>\n\t<strong>Dr. des. Axel Volmar<\/strong>, University of Siegen<br \/>\n\t&nbsp;<\/p>\n<hr \/>\n<p>\n\t<br \/>\n\t<span style=\"color:#ff0000;\"><strong>PROGRAM<\/strong><\/span><br \/>\n\t&nbsp;<br \/>\n\t<strong>Thursday, November 22, 2012<\/strong><br \/>\n\t&nbsp;<br \/>\n\t8.00 p.m.<strong> WELCOME REMARKS<\/strong><br \/>\n\t<strong>Julia Warmers<\/strong>, Akademie Schloss Solitude, Stuttgart and<strong> Shintaro Miyazak<\/strong>i<br \/>\n\t&nbsp;<br \/>\n\t<strong>PERFORMANCE<\/strong><br \/>\n\t\u201cUntitled II\u201d (2010), \u201cSolo for motors and resonant body\u201d (2012)<br \/>\n\t<strong>Marianthi Papalexandri-Alexandri<\/strong><br \/>\n\t&nbsp;<br \/>\n\t<br \/>\n\t<strong>Friday, November 23, 2012<\/strong><br \/>\n\t&nbsp;<br \/>\n\t10.00 a.m. <strong>INTRODUCTION<\/strong><br \/>\n\t<strong>Shintaro Miyazaki<\/strong><br \/>\n\t&nbsp;<br \/>\n\t10.15 a.m. <strong>KEYNOTE<\/strong><br \/>\n\t\u201cRhythms and Bodies 1600\u201d<br \/>\n\t<strong>Wolfgang Sch\u00e4ffner<\/strong><br \/>\n\t&nbsp;<br \/>\n\t11.15 a.m. Coffee Break<br \/>\n\t&nbsp;<br \/>\n\t11.45 a.m. <strong>SECTION I<\/strong><br \/>\n\t\u201cRhythm in Tool Use: From Stone-knapping to Blacksmith Hammering\u201d<br \/>\n\t<strong>Blandine Bril<\/strong><br \/>\n\t&nbsp;<br \/>\n\t\u201cWhen a Good Rhythm Can also Be a Bad Rhythm\u2013A Story of Bug Communication\u201d<br \/>\n\t<strong>Meta Virant-Doberlet<\/strong><br \/>\n\t&nbsp;<br \/>\n\t1.00 p.m. Lunch<br \/>\n\t&nbsp;<br \/>\n\t2.30 p.m. <strong>SECTION II<\/strong><br \/>\n\t\u201cListening to Living Bodies. Medicine, Experimental Physiology, and the Auditory Construction of Knowledge in the 19th Century\u201d<br \/>\n\t<strong>Axel Volmar<\/strong><br \/>\n\t&nbsp;<br \/>\n\t\u201cThe Dynamite of the Tenth of a Second. Rhythmizomena in Structural Film\u201d<br \/>\n\t<strong>Jan Thoben<\/strong><br \/>\n\t&nbsp;<br \/>\n\t4.00 p.m. Coffee Break<br \/>\n\t&nbsp;<br \/>\n\t4.30 p.m. <strong>SECTION III<\/strong><br \/>\n\t\u201cEngineering Rhythm in the Bell Telephone System: On Automation and Its Impairments\u201d<br \/>\n\t<strong>Mara Mills<\/strong><br \/>\n\t&nbsp;<br \/>\n\t\u201cThe Rhythms and Noises in Financial Markets\u201d<br \/>\n\t<strong>Dietmar Maringer<\/strong><br \/>\n\t&nbsp;<br \/>\n\t6.00 p.m. <strong>FINAL PANEL<\/strong><br \/>\n\tTransdisciplinarity: Problems and Advantages<br \/>\n\t&nbsp;<br \/>\n\t7.30 p.m. Dinner<br \/>\n\t&nbsp;<\/p>","event_more_events":"","related_posts_event":[6581,6577,5686]},"_links":{"self":[{"href":"https:\/\/www.akademie-solitude.de\/de\/wp-json\/wp\/v2\/event\/7434","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.akademie-solitude.de\/de\/wp-json\/wp\/v2\/event"}],"about":[{"href":"https:\/\/www.akademie-solitude.de\/de\/wp-json\/wp\/v2\/types\/event"}],"author":[{"embeddable":true,"href":"https:\/\/www.akademie-solitude.de\/de\/wp-json\/wp\/v2\/users\/1"}],"acf:post":[{"embeddable":true,"href":"https:\/\/www.akademie-solitude.de\/de\/wp-json\/wp\/v2\/person\/5686"},{"embeddable":true,"href":"https:\/\/www.akademie-solitude.de\/de\/wp-json\/wp\/v2\/person\/6577"},{"embeddable":true,"href":"https:\/\/www.akademie-solitude.de\/de\/wp-json\/wp\/v2\/person\/6581"}],"acf:term":[{"embeddable":true,"taxonomy":"category","href":"https:\/\/www.akademie-solitude.de\/de\/wp-json\/wp\/v2\/categories\/19"},{"embeddable":true,"taxonomy":"category","href":"https:\/\/www.akademie-solitude.de\/de\/wp-json\/wp\/v2\/categories\/17"}],"wp:attachment":[{"href":"https:\/\/www.akademie-solitude.de\/de\/wp-json\/wp\/v2\/media?parent=7434"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.akademie-solitude.de\/de\/wp-json\/wp\/v2\/categories?post=7434"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}