{"id":7000,"date":"2020-03-26T14:49:45","date_gmt":"2020-03-26T13:49:45","guid":{"rendered":"https:\/\/www.akademie-solitude.de\/person\/robert-blatt\/"},"modified":"2020-08-12T17:31:30","modified_gmt":"2020-08-12T15:31:30","slug":"robert-blatt","status":"publish","type":"person","link":"https:\/\/www.akademie-solitude.de\/de\/person\/robert-blatt\/","title":{"rendered":"Robert Blatt"},"content":{"rendered":"","protected":false},"author":1,"featured_media":0,"template":"","meta":{"_acf_changed":false,"inline_featured_image":false},"person_type":[57],"program":[346],"practice_field":[122],"year_generation":[102,103,104],"class_list":["post-7000","person","type-person","status-publish","hentry","person_type-stipendiatinnen","program-solitude-stipendium","practice_field-musik-klang","year_generation-102","year_generation-103","year_generation-104"],"acf":{"person_id__old":"3856","person_name":{"person_name":"Robert","person_middlename":"","person_surname":"Blatt"},"person_metadata":"Music\/Sound, Solitude fellow 2017\u20132019","person_position":[57],"person_job":"","person_txt":"

Geboren in Anaheim, CA\/USA.

Die Arbeit Robert Blatts ist verwurzelt in der Erforschung von weiten Klangsituationen durch variierende Rahmenbedingungen und die Ver\u00e4nderung der Umwelt, wie zum Beispiel Notation, Themen, Text, Klang und Stimme.

Aktuelle Projekte sind: Experiments in the Periphery<\/em> aus dem Jahr 2017, mit Auff\u00fchrungen in zahlreichen \u00f6ffentlichen und privaten Spielst\u00e4tten im S\u00fcden Floridas. 2017 ver\u00f6ffentlichte Much Too Much Noise sein Taschenbuch Beach Bums<\/em>, das zum Teil aus Text, aus Partitur und aus konzeptionellen Texten und Strandlekt\u00fcre besteht. Das Buch stand im Fokus eines Aufnahmeprojekts, welches pr\u00e4sentiert wurde im Studio Loos, in Den Haag\/Niederlande (2017), im Post-Paradise in Birmingham\/Gro\u00dfbritannien (2017) und im Subtropics at Miami Beach, FL\/USA. Seine Arbeit Everybody Peepin' out They Window When They Hear Me Beatin' up the Street<\/em> wurde aufgef\u00fchrt mit \u00fcber f\u00fcnfzig Autos bei den MDC Live Arts (Miami, FL\/USA, 2016). Seine Arbeitsweise, Konzert- oder Ausstellungssituationen hervorzuheben, spiegelt sich in Arbeiten, die 2017 im Keith in Berlin\/Deutschland pr\u00e4sentiert wurden, im Weisslich in Manchester und London\/Gro\u00dfbritannien und im A1LabArts in Knoxville, TN\/USA im Jahr 2016. Robert Blatt wurde gef\u00f6rdert mit Stipendien der Jack Straw New Media Gallery und der GEMAK (Den Haag\/Niederlande).

\u200bEr leitet die Inlets Foundation for Experimental Practices, ist Mitglied der The New Fordist Organization und war Mitgr\u00fcnder des Kollektivs radikaler Komponisten Acid Police Noise Ensemble. Robert Blatt absolvierte seinen Master in Musik am Royal Conservatory od The Hague von 2008 bis 2010 und seinen Bachelor in Musik an der University of Washington von 2002 bis 2006.<\/p>","person_txt_short":"

The work of the musician and artist Robert Blatt (b. 1984 in Anaheim, CA\/USA) is rooted in explorations of expanded sonic situations through varying frames and gradations of environment, notation, object,\u00a0performance, text, and tone \u2013 a practice between the borders of experimental music, visual arts; between installations and happenings. Recent projects include\u00a0Experiments in the Periphery\u00a0from 2017, which included realizations of his works in numerous open\u00a0and private locations across South Florida, and the publication of his paperback Beach Bums by Much Too Much Noise, part text score,\u00a0conceptual writing and beach read. Robert runs Inlets Foundation for Experimental Practices, is a member of The\u00a0New Fordist Organization and was co-founder of the radical composers\u00a0collective Acid Police Noise Ensemble. He holds degrees from the Royal Conservatory of The Hague (2010) and the University of Washington (2006).<\/div>\n
<\/div>\n
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