{"id":34956,"date":"2022-11-22T16:30:34","date_gmt":"2022-11-22T15:30:34","guid":{"rendered":"https:\/\/www.akademie-solitude.de\/?p=34956"},"modified":"2023-06-06T12:57:37","modified_gmt":"2023-06-06T10:57:37","slug":"hacking-anti-colonial-kuir-poetry-through-the-tropics","status":"publish","type":"post","link":"https:\/\/www.akademie-solitude.de\/de\/hacking-anti-colonial-kuir-poetry-through-the-tropics\/","title":{"rendered":"HACKING ANTI-COLONIAL KUIR POETRY THROUGH THE TROPICS"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":5,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"project":[451,843,844],"project_type":[817,725,731,735,741,743],"class_list":["post-34956","post","type-post","status-publish","format-standard","hentry","project-web-residencies","project-calls-2022","project-magical-hackerism-or-the-elasticity-of-resilience","project_type-web-residencies","project_type-formats","project_type-web-residents","project_type-spheres-of-practice","project_type-digital","project_type-themes"],"acf":{"bgcolor":"","bgcolor_custom":"","custom_color_css_variable":"","content_type":[{"acf_fc_layout":"content_img","acfe_flexible_layout_title":"Bild(er)","bgcolor":"","bgcolor_custom":"","layout_col_size":8,"img_gallery":false,"img":[34985],"img_gallery_format":false},{"acf_fc_layout":"content_txt","acfe_flexible_layout_title":"Text","bgcolor":"","bgcolor_custom":"","layout_col_size":8,"txt_cols":"is-1-txtcol","txt":"<p style=\"font-weight: 400;\">Our concept for the Magical Hackerism web residency is, through Futura Tr\u014dpica Netroots,\u00a01) to convey, connect, and share KUIR\u2019s contents with participant networks from Colombia, DR Congo, and India, and to aim at strengthening a disruptive, southern, and especially cis-hetero non-normative perspective as\u00a0for the current colonial world order; 2) to possibly enact a repository upon\u00a0other practitioners\u2019 experiences in the encounter with KUIR\u2019s content (How are\u00a0poetries\/performances\/texts experimented with and received by them? What connections to their\u00a0reality would they then be able to formulate? Which other works by LBTQIA+\u00a0artists are known from their circles?), imaginably in the format of a counterarchive of voice; and 3) to establish a dialogue that through a collective of futurity created in the present serve as\u00a0a netting to share sound reverberations.<\/p>\r\n&nbsp;\r\n<p class=\"is-size-6\" style=\"font-weight: 400;\"><span class=\"has-font-maison-neue\" style=\"font-family: 'Maison Neue';\"><strong>KUIR POETRY<\/strong> is an independent, collaborative, collective, and multilingual project of\u00a0LBTQIA+ poetry and performance from an anti-colonial perspective. Since its foundation in\u00a02019, KUIR has been present in Berlin, S\u00e3o Paulo, and Thessaloniki. Amidst the pandemic and with local funding\u00a0from Projektf\u00f6rderung Kreuzberg-Friedrichshain, KUIR POETRY launched an\u00a0online magazine in 2020 with commissioned videos, articles, and illustrations from\u00a0trans*_racialized_migrant artists from the Global South. In 2022, KUIR POETRY has organized an\u00a0online festival, bringing together works, thoughts and music of artists from Syria, Dominican\u00a0Republic, Brazil, and Berlin.<\/span><\/p>\r\n<p class=\"is-size-6\" style=\"font-weight: 400;\"><a href=\"http:\/\/kuirpoetry.com\"><span class=\"has-font-maison-neue\" style=\"font-family: 'Maison Neue';\">kuirpoetry.com<\/span><\/a><\/p>\r\n<p class=\"is-size-6\" style=\"font-weight: 400;\"><span class=\"has-font-maison-neue\" style=\"font-family: 'Maison Neue';\"><strong>J\u00f4 Osb\u00f3rnia<\/strong> (she\/her) is a poet, performer, translator, and curator from Rio de Janeiro. She has been living\u00a0in Berlin for six years, to which she migrated with a scholarship from Haus f\u00fcr Poesie\/Poesie\u00a0Festival Berlin after Brazil's 2016 coup d'\u00e9tat. In her artistic works, J\u00f4 is interested in\u00a0questions of gender and colonialism. From her position as a <em>migrant travesti<\/em> in Europe,\u00a0she intends to reflect on poetic and performative languages that might imply anti-colonial\u00a0thinking\/attitudes within the metropolis. She has participated in residencies at Thessaloniki\u00a0Queer Art Festival (2019), where she conducted the series of creative writing\u00a0workshops \u00bbKuir Trauma and Poetry\u00ab and \u00bb(Re)Writing Kuir Mythologies\u00ab for young adults; and\u00a0at Fundaziun Nairs in Scuol (2020), where she presented a performance\u00a0entitled \u00bbAnti-kolonialer S\u00fcndenbock.\u00ab Her works have been presented at Poesie Festival\u00a0Berlin (2020, video poem \u00bbE\u00fc\u00ab), at Goethe-Institut Barcelona (2021, video poem \u00bbThe\u00a0monolith dilemma\u00bb) and at Oyoun Berlin (2022, poem-installation \u00bbA GAZE THAT DON'T\u00a0SEE ME\u00ab), upon the completion of \u00bbBecoming Alman\u00ab residency. She is one of the founders\u00a0of KUIR Poetry, a literary, performance, and communitarian project about\u00a0queer poetry from an anti-colonial perspective, awarded with funds from Projektf\u00f6rderung\u00a0Kreuzberg-Friedrichshain (2020 and 2021). Her writings are mainly in Portuguese\/Brazilian\u00a0and German. Besides her artistic endeavors, J\u00f4 also works as a German teacher for\u00a0migrants in Berlin. She is finishing her B.A. in Literature at Humboldt University in Berlin.<\/span><\/p>\r\n<p class=\"is-size-6\" style=\"font-weight: 400;\"><span class=\"has-font-maison-neue\" style=\"font-family: 'Maison Neue';\"><strong>Jota Ramos <\/strong>(born in 1989, BraSil) is a transmasculine nonbinary multidisciplinary artist based\u00a0in Berlin. Beginning with autobiographical artistic experiments, Ramos explores the practices\u00a0of performance, video, installation, photography, and poetry. Creating peripheral dissident\u00a0subjectivities that dialogue with symbolic, etymological, and Black and gender identity\u00a0references, he seeks to bring a poetic reflection as a healing space thinking about how to portray the authenticity of the brown body in a genuine way, as a light-skinned Black person. His\u00a0research investigates tools to build an antiracist and powerful representation of Black queer\u00a0people\u2019s sociality, identity, and their historical journey. He is currently studying direction at\u00a0FilmArche in Berlin and has a postgraduate degree in applied social science where he\u00a0researched female Afro-entrepreneurship in the southern region of Brazil. Residencies include Corpo \u2013 Acumulo at Casa de Cultura Mario Quintana in Porto Alegre (2019); Our Stories at Jamaica Performing Arts Center in New York (2019); Atlas of Transition Performing Arts and Migration in Bologna (2020); Carolinas at\u00a0Flup (Periphery Literature Festival) in Rio de Janeiro (2020); and Tracce Residence in\u00a0Conversano (2021). His works have been exhibited in Portugal, Italy, United States, Switzerland,\u00a0Brazil, and Germany. The most recent exhibitions took place at Circle 1 Gallery, Oyoun\u00a0Cultural Center, Acud Macht Neu, Lona Galeria, Vae Raleigh, Espa\u00e7o Itinerante, Escola de\u00a0Belas Artes, Museum im BellPark, LaBottega Laboratorio Urbano and Wedding film. In 2022, he took part in the residency \u00bbINcorporA\u00c7\u00d5ES e Cruzas Po\u00e9ticas\u00ab at MARGS (Museu de Arte do Rio Grande do Sul) in Porto\u00a0Alegre and is now represented in the museum collection. He is currently taking part in the Panorama art residency at the Afropolitan in Berlin and in the performance exhibition at Galeria Vermelho and Ch\u00e3o SLZ. He is also one of the six international artists selected for the PerfocraZe mentoring program in Ghana, and is scheduled to attend both the QUEERWEEK22 at the Maxim Gorki Theater in Berlin and the DISKURS Festival in Giessen.<\/span><\/p>"},{"acf_fc_layout":"content_cta","acfe_flexible_layout_title":"Link \/ Call-to-Action","bgcolor":"has-bg-blue","bgcolor_custom":"","layout_col_size":12,"cta_link":{"type":"url","value":"https:\/\/www.akademie-solitude.de\/de\/web-residencies\/disruptive-bodies-anti-colonial-language-models-and-counter-archives\/","title":"","target":true},"cta_txt":"\u00bbDisruptive Bodies, Anti-Colonial Language Models, and Counter Archives\u00ab. J\u00f4 Osb\u00f3rnia and Jota Ramos in conversation with Gabriela K\u00fchnhardt Alvarez ","cta_button_txt":"Read more"}],"intro_preview_headline":"J\u00f4 Osb\u00f3rnia (Rio de Janeiro\/Brazil, based in Berlin\/Germany) & Jota Ramos ( Alegre\/Brazil, based in Berlin\/Germany)","intro_preview_txt":"<span class=\"has-font-maison-neue\" style=\"font-family: 'Maison Neue';\"><em style=\"font-weight: 400;\">HACKING ANTI-COLONIAL KUIR POETRY THROUGH THE TROPICS<\/em> is a digital and collective attempt at disrupting the colonial ordering of the world through LBTQIA+ works and languages from the Global South. For\u00a0the \u00bbMagical Hackerism\u00ab web residency is, through Futura Tr\u014dpica Netroots, <span lang=\"EN-US\">J\u00f4 Osb\u00f3rnia and Jota Ramos for KUIR Poetry aim to connect\u00a0communities\u00a0from Colombia, DR Congo, and India,\u00a0strengthening\u00a0especially cis-hetero non-normative perspectives.\u00a0<\/span><\/span>","intro_preview_img":34985,"post_id_old":"","post_author":null,"post_subtitle":"J\u00f4 Osb\u00f3rnia (Rio de Janeiro\/Brazil, based in Berlin\/Germany) & Jota Ramos ( Alegre\/Brazil, based in Berlin\/Germany)","post_preview_img_hide_on_single":true,"post_txt_old":"","post_pdf":"","post_copyright":"ccl_default","translated_post":false,"translations":null,"post_copyright_individual":"","post_related_posts":[34948,34952,34944],"related_posts_post":[35012,35014,35268,35270]},"_links":{"self":[{"href":"https:\/\/www.akademie-solitude.de\/de\/wp-json\/wp\/v2\/posts\/34956","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.akademie-solitude.de\/de\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.akademie-solitude.de\/de\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.akademie-solitude.de\/de\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/www.akademie-solitude.de\/de\/wp-json\/wp\/v2\/comments?post=34956"}],"version-history":[{"count":0,"href":"https:\/\/www.akademie-solitude.de\/de\/wp-json\/wp\/v2\/posts\/34956\/revisions"}],"acf:post":[{"embeddable":true,"href":"https:\/\/www.akademie-solitude.de\/de\/wp-json\/wp\/v2\/person\/35270"},{"embeddable":true,"href":"https:\/\/www.akademie-solitude.de\/de\/wp-json\/wp\/v2\/person\/35268"},{"embeddable":true,"href":"https:\/\/www.akademie-solitude.de\/de\/wp-json\/wp\/v2\/person\/35014"},{"embeddable":true,"href":"https:\/\/www.akademie-solitude.de\/de\/wp-json\/wp\/v2\/person\/35012"},{"embeddable":true,"href":"https:\/\/www.akademie-solitude.de\/de\/wp-json\/wp\/v2\/posts\/34944"},{"embeddable":true,"href":"https:\/\/www.akademie-solitude.de\/de\/wp-json\/wp\/v2\/posts\/34952"},{"embeddable":true,"href":"https:\/\/www.akademie-solitude.de\/de\/wp-json\/wp\/v2\/posts\/34948"}],"wp:attachment":[{"href":"https:\/\/www.akademie-solitude.de\/de\/wp-json\/wp\/v2\/media?parent=34956"}],"wp:term":[{"taxonomy":"project","embeddable":true,"href":"https:\/\/www.akademie-solitude.de\/de\/wp-json\/wp\/v2\/project?post=34956"},{"taxonomy":"project_type","embeddable":true,"href":"https:\/\/www.akademie-solitude.de\/de\/wp-json\/wp\/v2\/project_type?post=34956"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}