{"id":35058,"date":"2022-11-30T17:01:49","date_gmt":"2022-11-30T16:01:49","guid":{"rendered":"https:\/\/www.akademie-solitude.de\/?p=35058"},"modified":"2022-12-01T13:25:07","modified_gmt":"2022-12-01T12:25:07","slug":"kalachakra","status":"publish","type":"post","link":"https:\/\/www.akademie-solitude.de\/de\/kalachakra\/","title":{"rendered":"Kalachakra"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":5,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"project":[353,846,793],"project_type":[725,726],"class_list":["post-35058","post","type-post","status-publish","format-standard","hentry","project-online-publications","project-time-after-time","project-print-publications","project_type-formats","project_type-text"],"acf":{"bgcolor":"","bgcolor_custom":"","custom_color_css_variable":"","content_type":[{"acf_fc_layout":"content_img","acfe_flexible_layout_title":"Bild(er)","bgcolor":"","bgcolor_custom":"","layout_col_size":6,"img_gallery":false,"img":[35368],"img_gallery_format":""},{"acf_fc_layout":"content_txt","acfe_flexible_layout_title":"Text","bgcolor":"","bgcolor_custom":"","layout_col_size":8,"txt_cols":"is-1-txtcol","txt":"

As intuition catches \u00bbtemporality,\u00ab translations here seem to halt. Take a deep, deep breath in and fill up with as many particles and emotions as poetically possible \u2013 then release. While releasing, forget markers with (intuitive) clear messages, and somehow recall almost divine signifiers.<\/span><\/p>\r\n

As we pursue our translations of \u00bbtemporality,\u00ab blurred, accommodating locally grouped <\/span>imprints<\/span><\/i> emerge everywhere \u2013 unaccountable superpositions with endless contributing authors. Resolving temporal looping upon loops, we know it as \u0915\u093e\u0932\/Kala<\/strong>1<\/sup><\/span>\u00a0\u2013 like an entanglement of looming (of time, of death, of everything othered), keeping safe of spaces, objects like its own bodily extensions, reciprocating to existence at great poetic depths, evoking glory, \u092d\u0915\u094d\u0924\u093f\/devotion2<\/sup><\/span>, Shringar3<\/sup>,<\/span> and everything and the othered \u2026<\/span><\/p>\r\n

A language prescribed (no)map for familiar strolls. <\/span>of waiting, of delays; of restfulness<\/span><\/p>\r\n

As poetry cultivates a subatomic throb, a glaze of almost omnipresence \u2013 at the (contrapuntal4<\/sup><\/span>) \u0939\u093f\u0902\u0926\u0940\/here and now of things, we try to locate viewpoints, their tussles, harmonizing with what could create a jam. Notice focal points of bygone time spooking poetic presentism, yet still tickling primordial percussive (time signatory) pleasures.\u00a0<\/span><\/p>\r\n

Voices emanating from arches of temporality land us shapes in timely emotions, in the elsewhere of things, possibly bringing us together in different temporal exposures. Probing language\u2019s ideals and ultimately simulating a rest, navigating through temporal fevers offered by poetry, rests within poetic rests, through discourse in prose, without a set course, or a predecided notion of evolution. The poems are picked from the pauses in their surrounding temporality.\u00a0<\/span><\/p>\r\n

Thick blots of resting on the seemingly unidirectional timeline of this poetry have rested multidirectional poems within them. An implosion seems so regular; a yearning to reappear every time someone new reads them, they read themselves. If in \u0935\u093f\u0938\u094d\u092e\u0943\u0924\u093f\/disrememberment5<\/sup>,<\/span> they move away and into different times, then how do we help disremember?<\/span>\r\n<\/span><\/p>\r\n \r\n\r\n\r\n\r\n
\r\n

\u0914\u0930 \u092a\u0915\u0928\u093e<\/span><\/i><\/p>\r\n

\u0932\u094c\u091f\u0928\u093e<\/span><\/i> \u0928\u0939\u0940\u0902 \u0939\u0948 \u091c\u0921\u093c\u094b\u0902 \u0915\u0940 \u0913\u0930\u00a0<\/span><\/i><\/p>\r\n

-\u0915\u0947\u0926\u093e\u0930\u0928\u093e\u0925 \u0938\u093f\u0902\u0939 (\u0930\u094b\u091f\u0940) <\/span><\/i>(1934\u20132018)<\/span><\/p>\r\n

\u00a0<\/span><\/i><\/p>\r\n

\u0909\u0938 \u0935\u093f\u0915\u091f \u0938\u0941\u0916\u093e\u095c \u092e\u0947\u0902<\/span><\/i><\/p>\r\n

\u0938\u0943\u0937\u094d\u091f\u093f \u092a\u0930 \u092a\u0939\u0930\u093e \u0926\u0947 \u0930\u0939\u0947 \u0925\u0947<\/span><\/i><\/p>\r\n

\u0924\u0940\u0928-\u091a\u093e\u0930 \u092a\u0924\u094d\u0924\u0947<\/span><\/i><\/p>\r\n

\u2013\u0915\u0947\u0926\u093e\u0930\u0928\u093e\u0925 \u0938\u093f\u0902\u0939 <\/span><\/i>(1934\u20132018)<\/span><\/p>\r\n<\/td>\r\n

And ripening<\/span><\/i>\r\n\r\nIsn\u2019t coming back to roots<\/span><\/i>\r\n\r\n\u2013Kedarnath Singh (Hindi Poet, 1934\u20132018)<\/span>\r\n\r\n\u00a0<\/span><\/i>\r\n\r\nIn an abysmal drought,<\/span><\/i>\r\n\r\nWatched time over cosmos<\/span><\/i>\r\n\r\nBarely three to four leaves<\/span><\/i>\r\n\r\n\u2013Kedarnath Singh (Hindi Poet, 1934\u20132018)<\/span><\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n

\u00a0<\/span><\/p>\r\n\r\n\r\n\r\n\r\n
\r\n

\u0915\u0930\u0924-\u0915\u0930\u0924 \u0905\u092d\u094d\u092f\u093e\u0938 \u0915\u0947 \u091c\u0921\u092e\u0924\u093f \u0939\u094b\u0924 \u0938\u0941\u091c\u093e\u0928 \u0964<\/span><\/i><\/p>\r\n

\u0930\u0938\u0930\u0940 \u0906\u0935\u0924-\u091c\u093e\u0924 \u0924\u0947 \u0938\u093f\u0932 \u092a\u0930 \u092a\u0930\u0924 \u0928\u093f\u0936\u093e\u0928 \u0965<\/span><\/i><\/p>\r\n

\u2013\u0915\u092c\u0940\u0930<\/span><\/i> (1440\u20131518)<\/span><\/p>\r\n<\/td>\r\n

\r\nThrough practice intellect garners subtlety<\/span><\/i>\r\n\r\nTo and<\/span><\/i> fro<\/span><\/i> of rope creating smudges on the likes of rock <\/span><\/i>\r\n\r\n(in an image of a <\/span><\/i>\u0915\u0941\u0906\u0901<\/i><\/b> 6<\/sup><\/span>\/well) `<\/span><\/i>\r\n\r\n\u2013Kabir (1440\u20131518)<\/span><\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n \r\n

We enter this realm with devotion slacklining, arms attached to long, feeble, superimposing, sticks of waiting7<\/sup><\/span> as our primary support system. Destined to be let go soon after(?). Devotees\u2019 amnesiac \u2013 while walking on the rope we pray, requesting the sticks to reappear ontologically, magically trolleying spacetime to some of its halts.\u00a0<\/span><\/p>\r\n

Poetic ounces help us bounce into meeting their infinite projections and help hold each frame. Distributed equally among seers of ropes, are some tools \u2013 for freedom of reappearing \u2014disappearing\u00a0\u2013 erasing \u2013 blurring \u2013 hinting \u2013 for god resided, granular in all states \u2026<\/span><\/p>\r\n \r\n

*<\/span><\/p>\r\n

\u00a0<\/span><\/p>\r\n\r\n\r\n\r\n\r\n
\r\n

\u0935\u0939 \u0918\u093e\u091f\u0940 \u0928\u0939\u0940\u0902 \u0924\u0932\u0939\u091f\u0940 \u0925\u0940<\/span><\/i><\/p>\r\n

\u091c\u093f\u0938\u0947 \u0939\u092e\u0928\u0947 \u0916\u094b\u0926 \u0928\u093f\u0915\u093e\u0932\u093e \u0925\u093e -<\/span><\/i><\/p>\r\n

\u0914\u0930 \u091c\u093f\u0938\u0947 \u0916\u094b\u0926 \u0928\u093f\u0915\u093e\u0932\u0928\u0947 \u0915\u0940 \u0927\u0941\u0928 \u092e\u0947\u0902<\/span><\/i><\/p>\r\n

\u0939\u092e \u0938\u0948\u0902\u0915\u095c\u094b\u0902 \u0938\u093e\u0932 \u092a\u0940\u091b\u0947 \u0917\u095c\u0924\u0947 \u091a\u0932\u0947 \u091c\u093e \u0930\u0939\u0947 \u0925\u0947<\/span><\/i><\/p>\r\n

\u0907\u0924\u0928\u0940 \u0926\u0942\u0930 \u0914\u0930 \u0907\u0924\u0928\u0947 \u0917\u0939\u0930\u0947<\/span><\/i><\/p>\r\n

\u0915\u0940 \u0905\u092c \u0939\u092e\u093e\u0930\u0940 \u0916\u094b\u091c \u092e\u0947\u0902 \u0939\u092e\u0947\u0902 \u0939\u0940 \u0916\u094b\u091c \u092a\u093e\u0928\u093e \u092e\u0941\u0936\u094d\u0915\u093f\u0932 \u0925\u093e.<\/span><\/i><\/p>\r\n

\u0936\u093e\u092f\u0926 \u0935\u0939\u0940\u0902 \u090f\u0915 \u0938\u092d\u094d\u092f\u0924\u093e \u0915\u093e \u0905\u0924\u0940\u0924<\/span><\/i> 8<\/sup>\u0939\u092e\u0938\u0947 \u0935\u093f\u0926\u093e \u0939\u0941\u0906 \u0925\u093e<\/span><\/i><\/p>\r\n

\u091c\u0939\u093e\u0901 \u0938\u093e\u0901\u0938 \u0932\u0947\u0928\u0947 \u092e\u0947\u0902 \u092a\u0939\u0932\u0940 \u092c\u093e\u0930 \u092e\u0941\u091d\u0947 \u0926\u093f\u0915\u094d\u0915\u0924 \u092e\u0939\u0938\u0942\u0938 \u0939\u0941\u0908 \u0925\u0940<\/span><\/i><\/p>\r\n

\u0914\u0930 \u092e\u0948\u0902 \u092c\u0947\u0924\u0939\u093e\u0936\u093e \u092d\u093e\u0917\u093e \u0925\u093e<\/span><\/i><\/p>\r\n

\u0909\u0938 \u095b\u0930\u093e-\u0938\u0947 \u0926\u093f\u0916\u0924\u0947 \u0906\u0938\u092e\u093e\u0928, \u0935\u0930\u094d\u0924\u092e\u093e\u09289<\/sup><\/span><\/i> \u0914\u0930 \u0916\u0941\u0932\u0940 \u0939\u0935\u093e \u0915\u0940 \u0913\u0930<\/span><\/i><\/p>\r\n

\u091c\u094b \u0927\u0940\u0930\u0947-\u0927\u0940\u0930\u0947 \u092e\u0941\u0902\u0926\u0924\u0947 \u091a\u0932\u0947 \u091c\u093e \u0930\u0939\u0947 \u0925\u0947.<\/span><\/i><\/p>\r\n

\u0907\u0924\u093f\u0939\u093e\u093810<\/sup><\/span><\/i> \u0926\u0947\u0916\u0915\u0930 \u091c\u092c \u0935\u0939 \u0935\u0930\u094d\u0937\u094b\u090211<\/sup><\/span><\/i> \u090a\u092c \u0917\u092f\u093e<\/span><\/i><\/p>\r\n

\u0909\u0938\u0928\u0947 \u0905\u092a\u0928\u0947 \u0932\u093f\u090f \u0915\u092c\u094d\u0930\u0928\u0941\u092e\u093e \u090f\u0915 \u0915\u092e\u0930\u093e \u092c\u0928\u093e\u092f\u093e<\/span><\/i><\/p>\r\n

\u0914\u0930 \u090f\u0915 \u092c\u0939\u0941\u0924 <\/span><\/i>\u092d\u093e\u0930\u0940 \u092a\u0924\u094d\u0925\u0930<\/i><\/b> \u0915\u094b \u0913\u095d\u0915\u0930 \u0938\u094b \u0917\u092f\u093e.<\/span><\/i>\u00a0<\/span><\/i><\/p>\r\n

\u2013\u0915\u0941\u0902\u0935\u0930 \u0928\u093e\u0930\u093e\u092f\u0923<\/span><\/i> (1927\u20132017)<\/span><\/p>\r\n<\/td>\r\n

\r\nIt was a foothill not a valley<\/span><\/i>\r\n\r\nWhich we had dug out \u2013<\/span><\/i>\r\n\r\nAnd so engrossed in digging it out<\/span><\/i>\r\n\r\nWe kept being etched back hundreds of years<\/span><\/i>\r\n\r\nSo far and so deep<\/span><\/i>\r\n\r\nThat now it was difficult to even find ourselves on our quest.<\/span><\/i>\r\n\r\n \r\n\r\nMaybe that is where the very past of a civilization departed from us<\/span><\/i>\r\n\r\nWhere I found it difficult to breathe for the first time<\/span><\/i>\r\n\r\nAnd I had run recklessly<\/span><\/i>\r\n\r\nTowards that barely visible sky, towards the present, and the gale wind \u2013<\/span><\/i>\r\n\r\nWhich were slowly shutting down<\/span><\/i>\r\n\r\n \r\n\r\nFor years, looking at history, it lost interest<\/span><\/i>\r\n\r\nMade a grave-like room for itself<\/span><\/i>\r\n\r\nShrouded itself with a <\/span><\/i>boulder<\/i><\/b> and slept.<\/span><\/i>\u00a0<\/span>\r\n\r\n\u2013Kunwar Narayan (1927\u20132017)<\/span><\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n \r\n

A viscosity in revealing language\u2019s awareness, consciousness-ing mistakes, slips, tones, collective breaths, in the blink\u2019s and language\u2019s REM cycles. Language\u2019s body often camouflages into grains, derived from the intermingling rates of temporal breaths. But in the midst of breaths with their own moods, where does one look for self? In dainty crevices, where past-like spheres promise conjuring an everlasting glue? In believing so seamlessly in the history of our absence, our abstinence to choose which stones have pores breathing towards vanishing into infraredness? The vastness of temporal breaths engulfs poems, text twists as slowly as stones, and we catch our breaths to capture the rumbles.<\/span><\/p>\r\n \r\n\r\n\r\n\r\n
\r\n

\u0927\u0940\u0930\u0947-\u0927\u0940\u0930\u094712<\/sup><\/span><\/i> \u0930\u0947 \u092e\u0928\u093e13<\/sup><\/span><\/i>, \u0927\u0940\u0930\u0947 \u0938\u092c \u0915\u0941\u091b \u0939\u094b\u092f, <\/span><\/i>\u092e\u093e\u0932\u0940 \u0938\u0940\u0902\u091a\u0947 \u0938\u094c \u0918\u0921\u093c\u093e, \u0960\u0924\u0941 \u0906\u090f \u092b\u0932 \u0939\u094b\u092f\u0964<\/span><\/i><\/p>\r\n

\u2013\u0915\u092c\u0940\u0930<\/span><\/i><\/p>\r\n<\/td>\r\n

\r\n

Steadily-Steadily, Oh, Mana, steadily all accomplishes, <\/span><\/i>a gardener waters with a hundred more pitchers, fruition settles only with the season\u2019s coming.<\/span><\/i><\/p>\r\n

\u2013Kabir<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n \r\n

Temporal peace, arrives so very scattered, like deserted inter-almost-planetary beings, transforming towards devotion \u2013 as if they were garlands with flowers disintegrating in a standstill\u2019s glaze14<\/sup><\/span>. The end of sentences brings gestures, indications that a disillusionment here opens doors to seeing elsewhere. A gesture that identifies what learning about parallels can do to mirror images. When-where statues are firmly placed, mirrors crack discreetly, so how does one trace these routes to parallels, to discrete-time? The devotional era is accompanied by the bass of meditations in fifths \u2013 \u092a\u093e-\u0938\u093e-\u0938\u093e-\u0938\u093e15<\/sup><\/span>, a noise machine, looping without a willful signature moving in glee onto another \u2013 a verse-ailment hardly ever prescribed without a song. Exceptional poets here, exceptionally patient, and the other party immovable, aching anthologies \u2026<\/p>\r\n \r\n\r\n\r\n\r\n
\u0915\u094b\u0908 \u0915\u0939\u093f\u092f\u094c \u0930\u0947 \u092a\u094d\u0930\u092d\u0941 \u0906\u0935\u0928 \u0915\u0940\u0964 <\/span><\/i>\u0906\u0935\u0928 \u0915\u0940 \u092e\u0928 \u092d\u093e\u0935\u0928 \u0915\u0940\u0965 <\/span><\/i>\u0906\u092a \u0928 \u0906\u0935\u0948 \u0932\u093f\u0916 \u0928\u0939\u093f\u0902 \u092d\u0947\u091c\u0948 <\/span><\/i>\u092c\u093e\u0923 \u092a\u0921\u093c\u0940 \u0932\u0932\u0941\u091a\u093e\u0935\u0928 \u0915\u0940\u0964 <\/span><\/i>\u090f \u0926\u094b\u0909 \u0928\u0948\u0923 \u0915\u0939\u092f\u094b \u0928\u0939\u0940\u0902 \u092e\u093e\u0928\u0948 <\/span><\/i>\u0928\u0926\u093f\u092f\u093e \u092c\u0939\u0948\u0902 \u091c\u0948\u0938\u0947 \u0938\u093e\u0935\u0928 \u0915\u0940\u0965 <\/span><\/i>\u0915\u0939\u093e \u0915\u0930\u0942\u0901 \u0915\u091b\u0941 \u0928\u0939\u093f\u0902 \u092c\u0938 \u092e\u0947\u0930\u094b <\/span><\/i>\u092a\u093e\u0901\u0916 \u0928\u0939\u0940\u0902 \u0909\u0921\u093c \u091c\u093e\u0935\u0928 \u0915\u0940\u0964 <\/span><\/i>\u092e\u0940\u0930\u093e \u0915\u0939\u0948 \u092a\u094d\u0930\u092d\u0941 \u0915\u092c \u0930\u0947 \u092e\u093f\u0932\u094b\u0917\u0947 <\/span><\/i>\u091a\u0947\u0930\u0940 \u092d\u0908 \u0939\u0942\u0901 \u0924\u0947\u0930\u0947 <\/span><\/i>\u0926\u093e\u0901\u0935\u0928<\/i><\/b> \u0915\u0940\u0965<\/span><\/i>\r\n\r\n\u2013\u092e\u0940\u0930\u093e\u00a0<\/i>(1498\u20131546)<\/td>\r\nSomeone tell of the prabhu\u2019s (god) coming. Share of this\u00a0 enchantment. Neither they come nor send letters, keeping me forever tempted has become some habit of theirs. Like rivers in monsoons. my own eyes won\u2019t listen to me.\u00a0 A lack of wings is now disarming. Meera\u2019s Prabhu! When would you meet? I feel submitted to your (timely) <\/span><\/i>bets<\/i>!<\/span><\/i>\r\n\r\n\u2013Meera (1498\u20131546)<\/span><\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n \r\n

If hundreds of years of war poems were immediately followed by hundreds of years of devotional poems, and together they eventually unfolded into a sloshed emotional oceanic lake, which migratory birds did time have in mind? A geomagnetic poetic mapping, which somehow managed to burrow itself into poetic DNA, and so mutations upon mutations still carried ligamental memories which nails can\u2019t seem to scratch.<\/span><\/p>\r\n \r\n\r\n\r\n\r\n
\r\n

\u0926\u0942\u0930 \u0926\u0942\u0930 \u0926\u0942\u0930... \u092e\u0948\u0902 \u0935\u0939\u093e\u0901 \u0939\u0942\u0901!...<\/span><\/i><\/p>\r\n

...<\/span>\u092e\u0948\u0902 \u0938\u0902\u0918\u0930\u094d\u0937 \u0939\u0942\u0901 \u091c\u093f\u0938\u0947 \u0935\u093f\u0936\u094d\u0930\u093e\u092e16<\/sup><\/span><\/i>\u00a0\u0928\u0939\u0940\u0902\u2026\u00a0<\/span><\/i><\/p>\r\n

\u2026\u0915\u094d\u092f\u094b\u0902\u0915\u093f \u092e\u0948\u0902\u0928\u0947 \u0921\u0930 \u0928\u0939\u0940\u0902 \u091c\u093e\u0928\u093e \u0939\u0948\u0964...\u00a0<\/span><\/i><\/p>\r\n

\u092e\u0948\u0902 \u0905\u092d\u092f \u0939\u0942\u0901, <\/span><\/i><\/p>\r\n

\u092e\u0948\u0902 \u092d\u0915\u094d\u0924\u093f \u0939\u0942\u0901,<\/i><\/p>\r\n

\u092e\u0948\u0902 \u091c\u092f \u0939\u0942\u0901\u0964 \u00a0<\/i><\/p>\r\n

- \u0905\u091c\u094d\u091e\u0947\u092f (1911\u20131987)<\/span>\u00a0<\/span><\/i><\/p>\r\n<\/td>\r\n

Far far farther\u2026 I am there!..<\/span>\r\n<\/span>\r\n\r\nI am a struggle which has no rest\u2026<\/span>\r\n<\/span>\r\n\r\nIn fact, I have not known fear\u2026<\/span>\r\n\r\nI am unafraid\r\n\r\nI am devotion<\/span>\r\n\r\nI am victory.<\/span>\r\n\r\n\u2013Agyeya (1911\u20131987)<\/span><\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n \r\n\r\n\r\n\r\n
\r\n

\u092c\u0947\u091f\u093e \u091c\u093e\u090f \u0915\u094d\u092f\u093e \u0939\u0941\u0906, \u0915\u0939\u093e \u092c\u091c\u093e\u0935\u0948 \u0925\u093e\u0932 \u0964<\/span><\/i><\/p>\r\n

\u0906\u092a\u0928 \u091c\u093e\u0935\u0928 \u0939\u094d\u0935\u0948 \u0930\u0939\u093e, \u091c\u094d\u092f\u094c\u0902 \u0915\u0940\u095c\u0940 \u0915\u093e \u0928\u093e\u0932\u0965<\/span><\/i><\/p>\r\n-<\/span>\u0915\u092c\u0940\u0930<\/span><\/i> (1440\u20131518) \u00a0 <\/span><\/td>\r\n

Such loud celebrations over birth of a boy,<\/span><\/i>\r\n\r\nComing and leaving (through multiple births) <\/span><\/i>like worms of a drain<\/span><\/i>\r\n\r\n\u2013Kabir (1440\u20131518)<\/span><\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n \r\n

Threaded by bodies with undecided spans conversing in tilts, neither the flame goes for long walks, nor do those who carry within them the subtlest strings to measure the wind, that is those who keep an eye<\/span><\/p>\r\n

like a waiting in and out of ephemeral moments holding quantum leaps. An awaiting which entangles without the support of shared life-spans.17<\/sup><\/span><\/p>\r\n \r\n\r\n\r\n\r\n
\r\n

\u091c\u092c \u092f\u0939 \u0926\u0940\u092a \u0925\u0915\u0947 \u0924\u092c \u0906\u0928\u093e\u0964<\/span><\/i><\/p>\r\n

\u00a0- \u092e\u0939\u093e\u0926\u0947\u0935\u0940 \u0935\u0930\u094d\u092e\u093e<\/span><\/i><\/p>\r\n<\/td>\r\n

Come, when this lamp tires<\/span><\/i>.<\/span><\/i>\r\n\r\n\u2013Mahadevi Verma<\/span><\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n \r\n\r\n\r\n\r\n
\r\n

\u0926\u0940\u092a \u092a\u0924\u094d\u0925\u0930 \u0915\u093e<\/span><\/i><\/p>\r\n

\u0932\u091c\u0940\u0932\u0940 \u0915\u093f\u0930\u0923 \u0915\u0940<\/span><\/i><\/p>\r\n

\u092a\u0926-\u091a\u093e\u092a <\/span><\/i>\u0928\u0940\u0930\u0935<\/b>:<\/span><\/i><\/p>\r\n

\u0905\u0930\u0940 \u0913 \u0915\u0930\u0941\u0923\u093e \u092a\u094d\u0930\u092d\u093e\u092e\u092f!<\/span><\/i><\/p>\r\n

\u0915\u092c? \u0915\u092c?<\/span><\/i><\/p>\r\n

- \u00a0 <\/span> \u0905\u091c\u094d\u091e\u0947\u092f<\/span><\/i><\/p>\r\n<\/td>\r\n

Lamp of stone<\/span><\/i>\r\n\r\nSkittishness of rays<\/span><\/i>\r\n\r\nSilent sound of steps:<\/span><\/i>\r\n\r\nOh you! Radiating, Karuna18<\/sup><\/span><\/i>\u00a0(dawn)<\/span><\/i>\r\n\r\nWhen? When?<\/span><\/i>\r\n\r\n\u2013Agyeya<\/span><\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n \r\n

*<\/span><\/p>\r\n

In a hanging network of ropes laid to dry, meshes \u2013 lucid, unopaque \u2013 are layered with angular curves so minor that these roundabouts in poetry look through possible temporal wavelengths, arguably directional free-falls. Here one continually quakes in a matter of time\u2019s cloaks, residing in its seams, yet asking the peripheries to let in, asking, whose tempos are these? One mimes temporal presence while shuddering at the losses managed by a system of bodily tributaries.<\/span><\/p>\r\n \r\n\r\n\r\n\r\n
\r\n

\u0915\u093e\u0932,<\/span><\/i><\/p>\r\n

\u0924\u0941\u091d\u0938\u0947 \u0939\u094b\u0921\u093c \u0939\u0948 \u092e\u0947\u0930\u0940 \u05c3 \u0905\u092a\u0930\u093e\u091c\u093f\u0924 \u0924\u0942\u2014<\/span><\/i><\/p>\r\n

\u0924\u0941\u091d\u092e\u0947\u0902 \u0905\u092a\u0930\u093e\u091c\u093f\u0924 \u092e\u0948\u0902 \u0935\u093e\u0938 \u0915\u0930\u0942\u0901\u0964<\/span><\/i><\/p>\r\n

\u0907\u0938\u0940\u0932\u093f\u090f \u0924\u0947\u0930\u0947 \u0939\u0943\u0926\u092f \u092e\u0947\u0902 \u0938\u092e\u093e \u0930\u0939\u093e \u0939\u0942\u0901<\/span><\/i><\/p>\r\n

\u0938\u0940\u0927\u093e \u0924\u0940\u0930-\u0938\u093e, \u091c\u094b \u0930\u0941\u0915\u093e \u0939\u0941\u0906 \u0932\u0917\u0924\u093e \u0939\u094b\u2014<\/span><\/i><\/p>\r\n

\u0915\u093f \u091c\u0948\u0938\u093e \u0927\u094d\u0930\u0941\u0935 \u0928\u0915\u094d\u0937\u0924\u094d\u0930 \u092d\u0940 \u0928 \u0932\u0917\u0947,<\/span><\/i><\/p>\r\n

\u090f\u0915 \u090f\u0915\u0928\u093f\u0937\u094d\u0920, \u0938\u094d\u0925\u093f\u0930, \u0915\u093e\u0932\u094b\u092a\u0930\u093f<\/span><\/i><\/p>\r\n

\u092d\u093e\u0935, \u092d\u093e\u0935\u094b\u092a\u0930\u093f<\/span><\/i><\/p>\r\n

\u0938\u0941\u0916, \u0906\u0928\u0902\u0926\u094b\u092a\u0930\u093f<\/span><\/i><\/p>\r\n

\u0938\u0924\u094d\u092f, \u0938\u0924\u094d\u092f\u093e\u0938\u0924\u094d\u092f\u094b\u092a\u0930\u093f<\/span><\/i><\/p>\r\n

\u092e\u0948\u0902\u2014\u0924\u0947\u0930\u0947 \u092d\u0940, \u0913 <\/span><\/i>\u203a<\/span>\u0915\u093e\u0932\u2019 \u090a\u092a\u0930!...<\/span><\/i><\/p>\r\n

- \u00a0 <\/span> \u0936\u092e\u0936\u0947\u0930 <\/span><\/i>(1911\u20131993<\/span>)<\/span><\/i><\/p>\r\n<\/td>\r\n

Time,<\/span><\/i>\r\n\r\nI am contesting you: Undefeated you \u2013<\/span><\/i>\r\n\r\nIn you undefeated I reside.<\/span><\/i>\r\n\r\nAnd so, I am embodying your heart<\/span><\/i>\r\n\r\nLike a straight arrow, which seems frozen \u2013<\/span><\/i>\r\n\r\nMore so than stars, constellations,<\/span><\/i>\r\n\r\nA faithful, unwavering, transcending time<\/span><\/i>\r\n\r\nFaith, faith transcending<\/span><\/i>\r\n\r\nProsperity, joy transcending<\/span><\/i>\r\n\r\nTruth, morality transcending<\/span><\/i>\r\n\r\nI \u2013 transcend over you, oh, time!...<\/span><\/i>\r\n\r\n\u2013Shamsher (1911\u20131993)<\/span><\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n \r\n\r\n\r\n\r\n
\r\n

\u0935\u0930\u094d\u0924\u092e\u093e\u0928 \u0939\u0940 \u092e\u0947\u0930\u0947 \u0936\u0930\u0940\u0930 \u0915\u093e \u090f\u0915\u092e\u093e\u0924\u094d\u0930 \u092a\u094d\u0930\u0935\u0947\u0936-\u0926\u094d\u0935\u093e\u0930 \u0939\u0948\u0964<\/span><\/p>\r\n

\u00a0<\/span>-\u00a0 <\/span>\u0930\u093e\u091c\u0915\u092e\u0932 \u091a\u094c\u0927\u0930\u0940<\/span><\/a> (1929\u20131967)<\/span><\/p>\r\n<\/td>\r\n

The present is the sole entrance into my body.<\/span>\r\n\r\n\u2013Rajkamal Chaudhary (1929\u20131967)<\/span><\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n \r\n

Sitting with plexuses open, breathing, breathing long, breathing short, condensing breath like milk, and biting, without teeth. A temporal consolation.\u00a0<\/span><\/p>\r\n

Brick walls allotted to withholders of delayed19<\/sup><\/span>\u00a0\u00bbeverything\u00ab a place to segregate \u00bbown,\u00ab and meditate upon private innumerable timelines. Documenting jitters through the language, while rubbing shoulders, unveiling a temporal curve in slo-mo, \u0915\u093e\u0915, \u0935\u0915\u094d\u0930, \u0909\u0915\u094d\u0924\u093f.20<\/sup><\/span><\/p>\r\n

Hindi is without capital letters \u2013 signaling it\u2019s time to stress, time to stop, time to start another. Without these markers what does a (meta)body lacking in capitalization stress? A potential to sleepwalk? A body emanating in endless peas without signaling which ones are the heads, where are the tails \u2013 ingeminate garlands sweeping, towards knotless-nowheres, a sustained loop of delays.<\/span><\/p>\r\n \r\n\r\n\r\n\r\n
\r\n

\u0939\u092e\u0947\u0902 \u0907\u0924\u0928\u093e \u0926\u093f\u0932\u093e\u0938\u093e \u092d\u0930 \u0939\u0948 \u0915\u093f<\/span><\/i><\/p>\r\n

\u0905\u092a\u0928\u0947 \u0938\u092e\u092f \u092e\u0947\u0902 \u092d\u0932\u0947 \u0928 \u0939\u094b\u0902, \u0939\u092e \u0905\u092a\u0928\u0947 \u0918\u0930 \u092e\u0947\u0902 \u0939\u0948\u0902\u0964<\/span><\/i><\/p>\r\n

- \u0905\u0936\u094b\u0915 \u0935\u093e\u091c\u092a\u0947\u092f\u0940 (1941-)<\/span><\/i><\/p>\r\n<\/td>\r\n

We have but the consolation that<\/span><\/i>\r\n\r\nWe are <\/span><\/i>\u00bbi<\/span><\/i>n\u00ab our home, even if we may not be in our times.<\/span><\/i>\r\n\r\n\u2013Ashok Vajpayee (1941\u2013)<\/span><\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n

*<\/span><\/p>\r\n\r\n\r\n\r\n\r\n
\r\n

\u2026\u0909\u0926\u092f21<\/sup><\/span><\/i>-\u0905\u0938\u094d\u092422<\/sup><\/span><\/i> \u0926\u093f\u0928\u0915\u0930 \u0915\u093e,<\/span><\/i><\/p>\r\n

\u0924\u093f\u092e\u093f\u0930-\u0939\u0930 \u0915\u0947 \u0905\u0902\u0924\u0930 \u0938\u0947<\/span><\/i><\/p>\r\n

\u0924\u093f\u092e\u093f\u0930 \u0915\u093e \u0909\u0926\u094d\u0917\u092e<\/span><\/i><\/p>\r\n

\u0914\u0930 \u0924\u092e \u0915\u0947 \u0939\u0943\u0926\u092f \u0938\u0947<\/span><\/i><\/p>\r\n

\u0928\u093f\u0936\u093e\u0928\u093e\u0925 \u0915\u093e \u092a\u094d\u0930\u0915\u093e\u0936,<\/span><\/i><\/p>\r\n

\u0938\u092c \u0939\u0948 \u0938\u094d\u0935\u093e\u0927\u0940\u0928\u2026<\/span><\/i><\/p>\r\n

\u00a0<\/span><\/i><\/p>\r\n

-\u0928\u093f\u0930\u093e\u0932\u093e (1896\u20131961)<\/span><\/i><\/p>\r\n<\/td>\r\n

The risings and settings of sun,<\/span><\/i>\r\n\r\nFrom the heart of every mirk<\/span><\/i>\r\n\r\nThe origin of mirk<\/span><\/i>\r\n\r\nAnd the marking light<\/span><\/i>\r\n\r\nFrom the heart of darkness,<\/span><\/i>\r\n\r\nEach is independent\u2026<\/span><\/i>\r\n\r\n\u00a0<\/span><\/i>\r\n\r\n\u2013Nirala (1896\u20131961)<\/span><\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n \r\n

\u0915\u093e\u0932\u091a\u0915\u094d\u093023<\/sup><\/span><\/i>, \u091c\u0940\u0935\u0928 \u091a\u0915\u094d\u0930, \u0926\u0941\u0936\u094d\u091a\u0915\u094d\u0930, \u0938\u094c\u0930 \u091a\u0915\u094d\u0930, \u0938\u0941\u0916\u0926 \u091a\u0915\u094d\u0930, \u0926\u092e\u0928-\u091a\u0915\u094d\u0930, \u0905\u0917\u094d\u0928\u093f-\u091a\u0915\u094d\u0930, \u0935\u0923\u093f\u0915 \u091a\u0915\u094d\u0930, \u092c\u094d\u0930\u0939\u094d\u092e-\u091a\u0915\u094d\u0930, \u0928\u0947\u0924\u094d\u0930 \u091a\u0915\u094d\u0930, \u090b\u0924\u0941 \u091a\u0915\u094d\u0930\u2026 \u091a\u0915\u094d\u093024<\/sup><\/span><\/i>\/ <\/span><\/i>Cycles25<\/sup>,<\/span> of the legs, of the brain, of the ovaries, of the wind, of the ocean \u2026 them too \u2013 independent.<\/span><\/p>\r\n \r\n\r\n\r\n\r\n
\r\n

\u2026\u091c\u0948\u0938\u0947 \u0907\u0928 \u091c\u0917\u0939\u094b\u0902 \u092e\u0947\u0902 \u092a\u0939\u0932\u0947 \u092d\u0940 \u0906\u092f\u093e \u0939\u0942\u0901<\/span><\/i><\/p>\r\n

\u092c\u0940\u0924\u093e <\/span><\/i>\u0939\u0942\u0901<\/span>.<\/span><\/i><\/p>\r\n

\u0907\u0928 \u092c\u0928\u0924\u0940-\u092e\u093f\u091f\u0924\u0940 \u091b\u093e\u092f\u093e\u092f\u094b\u0902 \u092e\u0947\u0902 \u0924\u095c\u092a\u093e \u0939\u0942\u0901<\/span><\/i><\/p>\r\n

\u0915\u093f\u092f\u093e \u0939\u0948 \u0907\u0902\u0924\u095b\u093e\u0930<\/span><\/i><\/p>\r\n

\u0926\u0940 \u0939\u0948\u0902 \u0938\u0926\u093f\u092f\u093e\u0902 \u0917\u0941\u095b\u093e\u0930<\/span><\/i><\/p>\r\n

\u092c\u093e\u0930-\u092c\u093e\u0930<\/span><\/i><\/p>\r\n

\u0907\u0928 \u0916\u093e\u0932\u0940 \u091c\u0917\u0939\u094b\u0902 \u092e\u0947\u0902 \u092d\u0930-\u092d\u0930 \u0915\u0930 \u0930\u0940\u0924\u093e \u0939\u0942\u0901<\/span><\/i><\/p>\r\n

\u0930\u0939-\u0930\u0939 \u092a\u091b\u0924\u093e\u092f\u093e \u0939\u0942\u0901<\/span><\/i><\/p>\r\n

\u092a\u0939\u0932\u0947 \u092d\u0940 \u0906\u092f\u093e \u0939\u0942\u0901<\/span><\/i><\/p>\r\n

\u092c\u0940\u0924\u093e \u0939\u0942\u0901<\/span><\/i><\/p>\r\n

- \u0915\u0941\u0902\u0935\u0930 <\/span><\/i>\u0928\u093e\u0930\u093e\u092f\u0923<\/span> (1927\u20132017)<\/span><\/p>\r\n<\/td>\r\n

\u2026 As if I have come to these places before as well<\/span><\/i>\r\n\r\npassed before.<\/span><\/i>\r\n\r\nHave suffered in these emitting-elapsing shadows<\/span><\/i>\r\n\r\nAwaited<\/span><\/i>\r\n\r\nHave traversed centuries<\/span><\/i>\r\n\r\nTime and time again<\/span><\/i>\r\n\r\nHave voided in these vacant places<\/span><\/i>\r\n\r\nHave regretted ever and anon<\/span><\/i>\r\n\r\nHave come before as well<\/span><\/i>\r\n\r\nHave passed before.<\/span><\/i>\r\n\r\n\u2013<\/span> Kunwar Narayan (1927\u20132017)<\/span><\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n \r\n

A hypnotic familiarity encircles dizzyingly, walks alongside shadows, echoing \u2013 buzzing, like fingerprints buzz engraving onto callouses, as if a wooden shaft disintegrates yet the engraving lives on \u2013 \u0938\u093e\u092f\u093e.26<\/sup><\/span> These places\/points of disorienting disenchantments hardly ever engrave their own memories upon us, leaving only a sense of making-unmaking relaying to origin points not of this world, lucidly coexisting with ours, dreamscaping in a wake-centric civilization.<\/span><\/p>"},{"acf_fc_layout":"content_img","acfe_flexible_layout_title":"Bild(er)","bgcolor":"","bgcolor_custom":"","layout_col_size":8,"img_gallery":false,"img":[35370],"img_gallery_format":""},{"acf_fc_layout":"content_txt","acfe_flexible_layout_title":"Text","bgcolor":"","bgcolor_custom":"","layout_col_size":8,"txt_cols":"is-1-txtcol","txt":"\r\n\r\n\r\n
\r\n

\u092f\u0926\u093f \u0915\u093f\u0938\u0940 \u0926\u0941\u0903\u0938\u094d\u0935\u092a\u094d\u0928 \u0915\u0947 \u0915\u093e\u0930\u0923 \u0939\u0940 \u0928\u0939\u0940\u0902<\/span><\/i><\/p>\r\n

\u0924\u094b \u091c\u092c \u0938\u0941\u092c\u0939 \u091c\u093e\u0917\u0924\u0947 \u0939\u094b \u0924\u094b \u0907\u0938 \u0924\u0930\u0939 \u0938\u094d\u092e\u0943\u0924\u093f\u0939\u0940\u0928<\/span><\/i><\/p>\r\n

\u091c\u0948\u0938\u0947 \u0909\u0938\u0940 \u0915\u094d\u0937\u0923 \u091c\u0928\u092e\u0947 \u0939\u094b<\/span><\/i><\/p>\r\n

\u0905\u0924\u0940\u0924 \u0935\u0930\u094d\u0924\u092e\u093e\u0928 \u092d\u0935\u093f\u0937\u094d\u092f27<\/sup><\/span><\/i> \u0915\u0947 \u0905\u0939\u0938\u093e\u0938 \u0938\u0947 \u0905\u092a\u0930\u093f\u091a\u093f\u0924<\/span><\/i><\/p>\r\n

\u0915\u092d\u0940-\u0915\u092d\u0940 \u0924\u0941\u092e\u094d\u0939\u0947\u0902 \u0916\u093c\u0941\u0926 \u0915\u094b \u0914\u0930 \u0905\u092a\u0928\u0947 \u0906\u0938-\u092a\u093e\u0938 \u0915\u094b<\/span><\/i><\/p>\r\n

\u092a\u0939\u091a\u093e\u0928\u0928\u0947 \u092e\u0947\u0902 \u0926\u0947\u0930 \u0932\u0917\u0924\u0940 \u0939\u0948<\/span><\/i><\/p>\r\n

\u0932\u0947\u0915\u093f\u0928 \u091a\u0902\u0926 \u0932\u092e\u0939\u094b\u0902 28<\/sup><\/span><\/i>\u092c\u093e\u0926<\/span><\/i><\/p>\r\n

\u092a\u093f\u091b\u0932\u0940 \u0936\u093e\u092e \u0924\u0915 \u0915\u093e \u0938\u092c \u0915\u0941\u091b<\/span><\/i><\/p>\r\n

\u0927\u0940\u0930\u0947-\u0927\u0940\u0930\u0947 \u0932\u094c\u091f\u0924\u093e \u0939\u0948<\/span><\/i><\/p>\r\n

\u0914\u0930 \u0935\u093f\u0938\u094d\u092e\u0943\u0924\u093f \u0906\u0915\u093e\u0930 \u0932\u0947\u0928\u0947 \u0932\u0917\u0924\u0940 \u0939\u0948<\/span><\/i><\/p>\r\n

\u091c\u093f\u0938 \u0924\u0930\u0939 \u0926\u0935\u093e \u0915\u093e \u0905\u0938\u0930 \u0930\u0939\u0928\u0947 \u092a\u0930<\/span><\/i><\/p>\r\n

\u0935\u093f\u091c\u094d\u091e\u093e\u0928-\u0915\u0925\u093e \u0915\u093e \u0928\u093e\u092f\u0915 \u0938\u094d\u0935\u092f\u0902 \u0905\u092a\u0928\u0947 \u0915\u094b<\/span><\/i><\/p>\r\n

\u0906\u0908\u0928\u0947 \u092e\u0947\u0902 \u0926\u0947\u0916 \u0928\u0939\u0940\u0902 \u092a\u093e\u0924\u093e \u0932\u0947\u0915\u093f\u0928 \u091c\u092c<\/span><\/i><\/p>\r\n

\u0935\u093f\u0932\u0940\u0928 \u0939\u094b\u0924\u093e \u0939\u0948 \u0909\u0938\u0915\u093e \u092a\u094d\u0930\u092d\u093e\u0935 \u0924\u094b \u0927\u0940\u0930\u0947-\u0927\u0940\u0930\u0947 \u092a\u094d\u0930\u0915\u091f \u0939\u094b\u0924\u0940 \u0939\u0948\u0902<\/span><\/i><\/p>\r\n

\u0909\u0938\u0915\u0940 \u0915\u094b\u0936\u093f\u0915\u093e\u090f\u0901 \u0927\u092e\u0928\u093f\u092f\u093e\u0901 \u092e\u093e\u0902\u0938\u092a\u0947\u0936\u093f\u092f\u093e\u0901 \u0909\u0928\u092e\u0947\u0902 \u092c\u0939\u0924\u093e \u0930\u0915\u094d\u0924<\/span><\/i><\/p>\r\n

\u0909\u0938\u0915\u093e \u092a\u0942\u0930\u093e \u0936\u0930\u0940\u0930<\/span><\/i><\/p>\r\n

\u092b\u093f\u0930 \u091c\u0948\u0938\u0947 \u0909\u0938 \u092a\u0930 \u090f\u0915 \u0928\u0908 \u0924\u094d\u0935\u091a\u093e \u0906\u0924\u0940 \u0939\u0948<\/span><\/i><\/p>\r\n

\u0938\u093e\u0930\u0947 \u0909\u0938\u092e\u0947 \u0928\u0941\u0915\u093c\u0942\u0936 \u092c\u0928\u0924\u0947 \u0939\u0948\u0902<\/span><\/i><\/p>\r\n

\u0907\u0938\u0940 \u0924\u0930\u0939 \u0930\u093e\u0924 \u0915\u094b \u0910\u092f\u093e\u0930 \u0915\u093c\u0941\u092e\u0915\u093c\u0941\u092e\u093e<\/span><\/i><\/p>\r\n

\u0938\u0942\u0930\u091c \u0915\u0947 \u0924\u093f\u0932\u093f\u0938\u094d\u092e\u0940 \u0932\u0916\u093c\u0932\u0916\u093c\u0947 \u0938\u0947 \u0909\u0924\u0930\u0924\u093e \u0939\u0948<\/span><\/i><\/p>\r\n

\u0938\u092c \u0932\u094c\u091f \u0906\u0924\u0947 \u0939\u0948\u0902 \u0939\u0939\u0930\u093e\u0924\u0947 \u0939\u0941\u090f<\/span><\/i><\/p>\r\n

\u0938\u093e\u0930\u0947 \u0915\u0943\u0924\u094d\u092f \u0939\u093e\u0938\u093f\u0932 \u0914\u0930 \u0938\u093f\u0932\u0947<\/span><\/i><\/p>\r\n

\u0938\u093e\u0930\u0947 \u0909\u092a\u0915\u093e\u0930 \u0915\u0943\u0924\u0918\u094d\u0928\u0924\u093e\u090f\u0901 \u0915\u093c\u0930\u094d\u091c\u093c \u0914\u0930 \u092d\u0941\u0917\u0924\u093e\u0928<\/span><\/i><\/p>\r\n

\u0938\u093e\u0930\u0940 \u0905\u0938\u092b\u0932\u0924\u093e\u090f\u0901 \u0938\u093e\u0930\u0947 \u0905\u092a\u092e\u093e\u0928<\/span><\/i><\/p>\r\n

\u090f\u0915 \u091c\u093c\u093f\u0902\u0926\u0917\u0940 \u0915\u0940 \u0924\u092e\u093e\u092e \u0915\u0941\u0930\u0942\u092a\u0924\u093e\u090f\u0901 \u0917\u094b\u092f\u093e \u0924\u0941\u092e\u094d\u0939\u093e\u0930\u0940 \u0938\u092e\u0942\u091a\u0940 \u091c\u0940\u0935\u0928\u0940<\/span><\/i><\/p>\r\n

\u0914\u0930 \u0924\u0941\u092e \u092a\u0942\u0930\u0947 \u0932\u094c\u091f \u0906\u0924\u0947 \u0939\u094b<\/span><\/i><\/p>\r\n

\u0914\u0930 \u092c\u091a\u093e\u0935 \u0915\u093e \u0915\u094b\u0908 \u0930\u093e\u0938\u094d\u0924\u093e \u0928\u0939\u0940\u0902 \u0938\u0942\u091d\u0924\u093e<\/span><\/i><\/p>\r\n

\u0915\u093f\u0938\u0940 \u0918\u093f\u0930\u0947 \u0939\u0941\u090f \u091c\u093e\u0928\u0935\u0930 \u0915\u0940 \u0924\u0930\u0939<\/span><\/i><\/p>\r\n

\u092e\u0941\u0915\u092e\u094d\u092e\u093f\u0932 \u092c\u0928 \u091c\u093e\u0928\u0947 \u0915\u0947 \u092c\u093e\u0926<\/span><\/i><\/p>\r\n

\u0905\u092a\u0928\u0940 \u0907\u0938 \u0938\u0902\u092a\u0942\u0930\u094d\u0923\u0924\u093e \u0938\u0947 \u091a\u092e\u0921\u093c\u0940 \u092c\u091a\u093e\u0928\u0947 \u0915\u0947 \u0932\u093f\u090f<\/span><\/i><\/p>\r\n

\u0924\u0941\u092e \u0915\u094d\u092f\u093e \u0915\u0941\u091b \u0928\u0939\u0940\u0902 \u0915\u0930\u0924\u0947\u2026<\/span><\/i><\/p>\r\n

\u00a0- \u0935\u093f\u0937\u094d\u0923\u0941 \u0916\u0930\u0947 <\/span><\/i>(1914\u20132018)<\/span><\/p>\r\n<\/td>\r\n

\r\n

If not by a nightmare<\/span><\/i><\/p>\r\nWhen you wake in the morning and so unremembering<\/span><\/i>\r\n\r\nLike born in that moment<\/span><\/i>\r\n\r\nUnacquainted with the sense of past, present, and future<\/span><\/i>\r\n\r\nSometimes you\u2019d take time<\/span><\/i>\r\n\r\nTo identify yourself and your vicinity<\/span><\/i>\r\n\r\nBut only in a few moments<\/span><\/i>\r\n\r\nEverything until last evening<\/span><\/i>\r\n\r\nComes back steadily<\/span><\/i>\r\n\r\nAnd oblivion learns to take form<\/span><\/i>\r\n\r\nLike under medication<\/span><\/i>\r\n\r\na protagonist of a sci-fi tale<\/span><\/i>\r\n\r\nCan\u2019t see themself in the mirror<\/span><\/i>\r\n\r\nAs sedation fades their cells, their veins and muscles, flowing blood, their entire body,<\/span><\/i>\r\n\r\nslowly collects itself and begins to appear<\/span><\/i>\r\n\r\nThen as if a new skin emerges<\/span><\/i>\r\n\r\nIn it, all become face-lines<\/span><\/i>\r\n\r\nSimilarly at night a clever bulb<\/span><\/i>\r\n\r\nSteps down from the talismanic censers of the sun<\/span><\/i>\r\n\r\nEveryone comes back trembling<\/span><\/i>\r\n\r\nAll acts acquired and stitched<\/span><\/i>\r\n\r\nAll benefactions ingratitude debts and pays<\/span><\/i>\r\n\r\nAll failures all insults<\/span><\/i>\r\n\r\nAll ugliness of a life, your complete biography<\/span><\/i>\r\n\r\nAnd you come back wholly<\/span><\/i>\r\n\r\nAnd find no ways to defend<\/span><\/i>\r\n\r\nLike an animal surrounded<\/span><\/i>\r\n\r\nUpon accomplishments\u00a0<\/span><\/i>\r\n\r\nTo save your skin from this perfection\/entirety<\/span><\/i>\r\n\r\nWhat all do you not do\u2026<\/span><\/i>\r\n\r\n \r\n\r\n \r\n\r\n\u00a0\u2013Vishnu Khare (1914\u20132018)<\/span><\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n\u00a0<\/span>\r\n\r\n*<\/span>\r\n\r\nDoes time merge into an anecdotal framework \u2013 at once real, unhindered by the quotidian, forgettable when unsettling, when aging (once) mothers become anamorphic, atmospheric beings? Roaming anecdotes, growing into an evolution of unfamiliar chances, old-ing into familiar displacements, aging recurring bouts of a collection of hasty thoughts \u2013 to be listened to, to be told to, to be kept to oneself, to be kept aside, to not be kept at all \u2013 all hinging at cusps of decades.\u00a0\u00a0<\/span>\r\n\r\n\u00a0<\/span>\r\n\r\n\r\n\r\n
\r\n

\u092e\u0948\u0902\u0928\u0947 \u0924\u094b \u0926\u0947\u0916\u093e \u0939\u0948\u2014<\/span><\/i><\/p>\r\n

\u091c\u093c\u094d\u092f\u093e\u0926\u093e \u092c\u0942\u095d\u0940 \u0914\u0930\u0924\u0947\u0902<\/span><\/i><\/p>\r\n

\u0926\u094c\u095c \u092d\u0940 \u0928\u0939\u0940\u0902 \u092a\u093e\u0924\u0940\u0902 \u092d\u0917\u0926\u095c \u092e\u0947\u0902!<\/span><\/i><\/p>\r\n

\u092e\u093e\u0901, \u0924\u0941\u092e \u092c\u0942\u095d\u0940 \u092e\u0924 \u0939\u094b \u091c\u093e\u0928\u093e \u0915\u092d\u0940!<\/span><\/i><\/p>\r\n

\u00a0<\/span><\/i><\/p>\r\n

-<\/span> \u00a0 <\/span> \u0905\u0928\u093e\u092e\u093f\u0915\u093e <\/span><\/i>(1961\u2013)<\/span><\/p>\r\n<\/td>\r\n

I definitely have seen<\/span><\/i>\r\n\r\nVery old women<\/span><\/i>\r\n\r\nAren\u2019t able to run in stampedes<\/span><\/i>\r\n\r\nMaa*, don\u2019t you ever turn old!<\/span><\/i>\r\n\r\n\u00a0<\/span><\/i>\r\n\r\n\u2013Anamika (1961\u2013)<\/span><\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n

*<\/span><\/p>\r\nTo make journeys between lamps and bulbs, electric debris from the future shaped in the form of cities settling inside the mechanics of single-stories, erupts like a storm of fireflies \u2013 a benevolent insomnia, a promise of many mornings simultaneously.\u00a0<\/span>\r\n\r\n \r\n\r\n\r\n\r\n
\r\n

\u0936\u0939\u0930 \u092a\u0941\u0915\u093e\u0930\u0924\u0947 \u0925\u0947<\/span><\/i><\/p>\r\n

\u092c\u0940\u0938 \u092c\u0930\u0938 \u092a\u093e\u0930 \u0938\u0947 \u0939\u092e\u0947\u0902<\/span><\/i><\/p>\r\n

\u092c\u0938 \u0915\u0940 \u0916\u093f\u095c\u0915\u093f\u092f\u094b\u0902 \u0938\u0947<\/span><\/i><\/p>\r\n

\u0926\u093f\u0916\u0924\u093e \u0925\u093e \u092d\u0935\u093f\u0937\u094d\u092f<\/span><\/i><\/p>\r\n

\u090a\u0901\u091a\u0940 \u092c\u093f\u0932\u094d\u0921\u093f\u0902\u0917\u094b\u0902 \u0915\u0940 \u0924\u0930\u0939<\/span><\/i><\/p>\r\n

\u090f\u0915 \u0905\u0926\u0926 \u0938\u092a\u0928\u093e \u0925\u093e \u0915\u093f<\/span><\/i><\/p>\r\n

\u091f\u0942\u091f\u0924\u093e \u0928\u0939\u0940\u0902 \u0925\u093e<\/span><\/i><\/p>\r\n

\u090f\u0915 \u0905\u0926\u0926 \u0930\u094c\u0936\u0928\u0940<\/span><\/i><\/p>\r\n

\u092c\u0941\u091d\u0924\u0940 \u0928\u0939\u0940\u0902 \u0925\u0940<\/span><\/i><\/p>\r\n

\u090f\u0915 \u0909\u092e\u094d\u092e\u0940\u0926<\/span><\/i><\/p>\r\n

\u0916\u093c\u0924\u094d\u092e \u0928\u0939\u0940\u0902 \u0939\u094b\u0924\u0940 \u0925\u0940<\/span><\/i><\/p>\r\n

\u00a0\u0905\u091a\u094d\u092f\u0941\u0924\u093e\u0928\u0902\u0926\u0928 \u092e\u093f\u0936\u094d\u0930 <\/span><\/i>(1981\u2013)<\/span><\/p>\r\n<\/td>\r\n

Cities would call<\/span><\/i>\r\n\r\nFrom twenty years across the future<\/span><\/i>\r\n\r\nThrough the windows of buses<\/span><\/i>\r\n\r\nWe saw the future<\/span><\/i>\r\n\r\nLike tall buildings<\/span><\/i>\r\n\r\nA sheer dream<\/span><\/i>\r\n\r\nThat wouldn\u2019t break<\/span><\/i>\r\n\r\nA sheer light<\/span><\/i>\r\n\r\nWon\u2019t go off<\/span><\/i>\r\n\r\nA hope<\/span><\/i>\r\n\r\nWouldn't last\u00a0<\/span><\/i>\r\n\r\nAchyutanandan Mishra (1981\u2013)<\/span><\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n \r\n\r\nObjects in the language are haunted by denouncements, from the inception of documented poetry feebly present \u2013 there are active buyers, looking away from the archive. Every time they meet, timelines interact and traumas are triggered, they go to different places or the same, on the way they mimic gestures, subsequently, an oscillatory microtemporal rest acquires them both warningly.<\/span>\r\n\r\n \r\n\r\n\r\n\r\n
\r\n

\u092e\u0947\u095b \u0907\u0924\u0928\u0940 \u092a\u0941\u0930\u093e\u0928\u0940<\/span><\/i> 29<\/sup>\u0925\u0940 \u0915\u093f \u0909\u0938\u0915\u093e \u0915\u094b\u0908 \u0935\u0930\u094d\u0924\u092e\u093e\u0928 \u0928\u0939\u0940\u0902 \u0925\u093e\u0964<\/span><\/i><\/p>\r\n

\u0939\u092e\u093e\u0930\u0947 \u092c\u091a\u094d\u091a\u0947 \u0907\u0924\u0928\u0947 \u0928\u090f \u0925\u0947 \u0915\u093f \u0909\u0928\u0915\u093e \u0915\u094b\u0908 \u0905\u0924\u0940\u0924 \u0928\u0939\u0940\u0902 \u0925\u093e\u0964 -<\/span><\/i><\/p>\r\n

\u00a0<\/span><\/i><\/p>\r\n

- \u00a0 <\/span> \u0917\u093f\u0930\u093f\u0930\u093e\u091c \u0915\u093f\u0930\u093e\u0921\u0942 <\/span><\/i>(1975\u2013)<\/span><\/p>\r\n<\/td>\r\n

So old was the desk that it had no present,<\/span><\/i>\r\n\r\nSo new were our children, that they had no past.<\/span><\/i>\r\n\r\n\u00a0<\/span><\/i>\r\n\r\n\u2013Giriraj Kiradu (1975\u2013)<\/span><\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n\u00a0<\/span>\r\n\r\n\u0916\u0902\u0921\u0939\u0930<\/b>\/ruins30<\/sup><\/span> <\/b>(as temporal devices) carve space for very specific futures here, for there are continual physical gestures of acceptance upon change elsewhere. Ruins \u2013 the carriers of memory no one else truly remembers, are sites where pores aren\u2019t disturbed or filled in with anxieties of perfection, and so they expand, and they tire (light has shown us this).<\/span>\r\n\r\nBeaming into these pores are losses \u2013 sustaining tensions of things put together, then put aside-to find in futurity \u2013 an ease \u2026 nonexistent ruins speaking with each other \u2026<\/span>\r\n\r\n \r\n\r\n\r\n\r\n
\r\n

\u0935\u0939 \u090f\u0915 \u0926\u0943\u0936\u094d\u092f \u0925\u093e \u091c\u093f\u0938\u092e\u0947\u0902 \u090f\u0915 \u092a\u0941\u0930\u093e\u0928\u093e \u0918\u0930 \u0925\u093e<\/span><\/i><\/p>\r\n

\u091c\u094b \u092c\u0939\u0941\u0924 \u0938\u0947 \u092e\u0928\u0941\u0937\u094d\u092f\u094b\u0902 \u0915\u0947 \u0938\u093e\u0901\u0938 \u0932\u0947\u0928\u0947 \u0938\u0947 \u092c\u0928\u093e \u0925\u093e<\/span><\/i><\/p>\r\n

\u0909\u0938 \u0926\u0943\u0936\u094d\u092f \u092e\u0947\u0902 \u092b\u0942\u0932 \u0916\u093f\u0932\u0924\u0947 \u0924\u093e\u0930\u0947 \u091a\u092e\u0915\u0924\u0947 \u092a\u093e\u0928\u0940 \u092c\u0939\u0924\u093e<\/span><\/i><\/p>\r\n

\u0914\u0930 \u0938\u092e\u092f \u0915\u093f\u0938\u0940 \u092a\u0939\u093e\u095c\u0940 \u091a\u094b\u091f\u0940 \u0938\u0947 \u0927\u0942\u092a \u0915\u0940 \u0924\u0930\u0939<\/span><\/i><\/p>\r\n

\u090f\u0915-\u090f\u0915 \u0958\u0926\u092e \u0909\u0924\u0930\u0924\u093e \u0939\u0941\u0906 \u0926\u093f\u0916\u093e\u0908 \u0926\u0947\u0924\u093e<\/span><\/i><\/p>\r\n

\u0905\u092c \u0935\u0939\u093e\u0901 \u0935\u0939 \u0926\u0943\u0936\u094d\u092f \u0928\u0939\u0940\u0902 \u0939\u0948 \u092c\u0932\u094d\u0915\u093f \u0909\u0938\u0915\u093e \u090f\u0915 \u0916\u0902\u0921\u0939\u0930 \u0939\u0948<\/span><\/i><\/p>\r\n

\u0924\u0941\u092e \u0932\u0902\u092c\u0947 \u0938\u092e\u092f \u0938\u0947 \u0935\u0939\u093e\u0901 \u0932\u094c\u091f\u0928\u093e \u091a\u093e\u0939\u0924\u0947 \u0930\u0939\u0947 \u0939\u094b \u091c\u0939\u093e\u0901 \u0909\u0938 \u0926\u0943\u0936\u094d\u092f \u0915\u093e \u0916\u0902\u0921\u0939\u0930 \u0928 \u0939\u094b<\/span><\/i><\/p>\r\n

\u0932\u0947\u0915\u093f\u0928 \u0905\u091a\u094d\u091b\u0940 \u0924\u0930\u0939 \u091c\u093e\u0928\u0924\u0947 \u0939\u094b \u0915\u093f \u092f\u0939 \u0938\u0902\u092d\u0935 \u0928\u0939\u0940\u0902 \u0939\u0948<\/span><\/i><\/p>\r\n

\u0914\u0930 \u0939\u0930 \u0932\u094c\u091f\u0928\u093e \u0938\u093f\u0930\u094d\u092b\u093c \u090f\u0915 \u0909\u091c\u095c\u0940 \u0939\u0941\u0908 \u091c\u0917\u0939 \u092e\u0947\u0902 \u091c\u093e\u0928\u093e \u0939\u0948<\/span><\/i><\/p>\r\n

\u090f\u0915 \u0905\u0935\u0936\u0947\u0937<\/span><\/i>31<\/sup>,\u090f\u0915 \u0905\u0924\u0940\u0924 \u0914\u0930 \u090f\u0915 \u0907\u0924\u093f\u0939\u093e\u0938 \u092e\u0947\u0902<\/span><\/i><\/p>\r\n

\u090f\u0915 \u0926\u0943\u0936\u094d\u092f \u0915\u0947 \u0905\u0928\u0938\u094d\u0924\u093f\u0924\u094d\u0935 \u092e\u0947\u0902<\/span><\/i><\/p>\r\n

\u0907\u0938\u0932\u093f\u090f \u0924\u0941\u092e \u092a\u0940\u091b\u0947 \u0928\u0939\u0940\u0902 \u092c\u0932\u094d\u0915\u093f \u0906\u0917\u0947 \u091c\u093e\u0924\u0947 \u0939\u094b<\/span><\/i><\/p>\r\n

\u0905\u0901\u0927\u0947\u0930\u0947 \u092e\u0947\u0902 \u0915\u093f\u0938\u0940 \u0915\u0932\u094d\u092a\u093f\u0924 \u0909\u091c\u093e\u0932\u0947 \u0915\u0947 \u0938\u0939\u093e\u0930\u0947 \u0930\u093e\u0938\u094d\u0924\u093e \u091f\u091f\u094b\u0932\u0924\u0947 \u0939\u0941\u090f<\/span><\/i><\/p>\r\n

\u0915\u093f\u0938\u0940 \u0926\u0942\u0938\u0930\u0940 \u091c\u0917\u0939 \u0914\u0930 \u0915\u093f\u0938\u0940 \u0926\u0942\u0938\u0930\u0947 \u0938\u092e\u092f \u0915\u0940 \u0913\u0930<\/span><\/i><\/p>\r\n

\u0938\u094d\u092e\u0943\u0924\u093f \u0939\u0940 \u0926\u0942\u0938\u0930\u093e \u0938\u092e\u092f \u0939\u0948 \u091c\u0939\u093e\u0901 \u0938\u0939\u0938\u093e \u0924\u0941\u092e\u094d\u0939\u0947\u0902 \u0926\u093f\u0916 \u091c\u093e\u0924\u093e \u0939\u0948<\/span><\/i><\/p>\r\n

\u0935\u0939 \u0926\u0943\u0936\u094d\u092f \u0909\u0938\u0915\u093e \u0918\u0930 \u091c\u0939\u093e\u0901 \u0932\u094b\u0917\u094b\u0902 \u0915\u0940 \u0938\u093e\u0901\u0938\u0947\u0902 \u092d\u0930\u0940 \u0939\u0941\u0908 \u0939\u094b\u0924\u0940 \u0939\u0948\u0902<\/span><\/i><\/p>\r\n

\u0914\u0930 \u092b\u0942\u0932 \u0916\u093f\u0932\u0924\u0947 \u0939\u0948\u0902 \u0924\u093e\u0930\u0947 \u091a\u092e\u0915\u0924\u0947 \u0939\u0948 \u092a\u093e\u0928\u0940 \u092c\u0939\u0924\u093e \u0939\u0948<\/span><\/i><\/p>\r\n

\u0914\u0930 \u0927\u0942\u092a \u090f\u0915 \u091a\u094b\u091f\u0940 \u0938\u0947 \u0909\u0924\u0930\u0924\u0940 \u0939\u0941\u0908 \u0926\u093f\u0916\u0924\u0940 \u0939\u0948\u0964<\/span><\/i>\u00a0<\/span><\/i><\/p>\r\n

\u2013 <\/span>\u092e\u0902\u0917\u0932\u0947\u0936 \u0921\u092c\u0930\u093e\u0932 <\/span><\/i>(1948\u20132020)<\/span><\/p>\r\n<\/td>\r\n

This was a scene with an old house in it<\/span><\/i>\r\n\r\nWhich was created from the breathing of many human beings<\/span><\/i>\r\n\r\nIn that scene, flowers bloom, stars shine and water flows<\/span><\/i>\r\n\r\nand time, just as sunshine from a hilltop<\/span><\/i>\r\n\r\nappeared to descend step by step<\/span><\/i>\r\n\r\nNow that scene isn\u2019t there anymore, but a ruin of it<\/span><\/i>\r\n\r\nYou have long been wanting to go back where there\u2019s isn\u2019t a ruin of that scene<\/span><\/i>\r\n\r\nBut know well that it\u2019s not possible and<\/span><\/i>\r\n\r\nevery return is a going back to a desolate space<\/span><\/i>\r\n\r\nTo a vestige, a past and a history<\/span><\/i>\r\n\r\nTo the absence of a scene<\/span><\/i>\r\n\r\nThis is why you do not go back but forward<\/span><\/i>\r\n\r\nProbing through the darkness aided by imagined light<\/span><\/i>\r\n\r\nTowards another space and towards another time<\/span><\/i>\r\n\r\nMemory is another space where suddenly you see<\/span><\/i>\r\n\r\nthat scene, its house, filled with people\u2019s breath<\/span><\/i>\r\n\r\nand flowers blooming, stars shining, water flowing<\/span><\/i>\r\n\r\nand sunshine appearing to descend a peak.<\/span><\/i>\r\n\r\n\u2013Manglesh Dabral (1948\u20132020)<\/span><\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n \r\n\r\n \r\n\r\n\r\n\r\n
\r\n

\u0938\u093f\u0930\u094d\u092b\u093c \u0936\u0935<\/span><\/i><\/p>\r\n

\u092a\u0942\u091b\u0924\u093e \u0939\u0948 \u092a\u094d\u0930\u0936\u094d\u0928<\/span><\/i><\/p>\r\n

\u0939\u0930 \u092f\u0941\u0917 \u092e\u0947\u0902<\/span><\/i><\/p>\r\n

\u0938\u093f\u0930\u094d\u092b\u093c \u0936\u0935<\/span><\/i><\/p>\r\n

\u091c\u093e\u0928\u0924\u093e \u0939\u0948 \u0938\u0924\u094d\u092f<\/span><\/i><\/p>\r\n

\u0939\u0930 \u092f\u0941\u0917 \u092e\u0947\u0902<\/span><\/i><\/p>\r\n

\u0935\u0939\u0940 \u092d\u094b\u0917\u0924\u093e \u0939\u0948 \u0915\u094d\u0932\u0947\u0936<\/span><\/i><\/p>\r\n

\u0938\u094d\u092e\u0943\u0924\u093f \u0915\u093e<\/span><\/i><\/p>\r\n

\u0935\u093e\u0938\u0928\u093e \u0915\u093e<\/span><\/i><\/p>\r\n

\u0905\u0902\u0924 \u0915\u0947 \u092c\u093e\u0926 \u092d\u0940<\/span><\/i><\/p>\r\n

\u092c\u093e\u0930-\u092c\u093e\u0930<\/span><\/i><\/p>\r\n

\u0916\u0921\u093c\u093e \u0939\u094b\u0924\u093e \u0939\u0948 \u0935\u0939<\/span><\/i><\/p>\r\n

\u0938\u094d\u0935\u092f\u0902 \u0938\u0947 \u0926\u0942\u0930 \u091c\u093e\u0928\u0947 \u0915\u094b<\/span><\/i><\/p>\r\n

\u092c\u0947\u0924\u093e\u0932<\/span><\/i>32<\/sup> \u0915\u0940 \u0924\u0930\u0939<\/span><\/i><\/p>\r\n

\u0938\u093f\u0930\u094d\u092b\u093c \u0936\u0935 \u0939\u0948<\/span><\/i><\/p>\r\n

\u091c\u094b \u0926\u0942\u0930 \u0928\u0939\u0940\u0902 \u091c\u093e \u0938\u0915\u0924\u093e<\/span><\/i><\/p>\r\n

\u0905\u092a\u0928\u0940 \u0926\u0947\u0939 \u0938\u0947<\/span><\/i><\/p>\r\n

\u0914\u0930 \u092a\u0942\u091b \u0938\u0915\u0924\u093e \u0939\u0948<\/span><\/i><\/p>\r\n

\u092a\u094d\u0930\u0936\u094d\u0928 \u0938\u093f\u0930\u094d\u092b\u093c<\/span><\/i><\/p>\r\n

\u00a0<\/span><\/i><\/p>\r\n

-<\/span> \u00a0 <\/span> \u0917\u0917\u0928 \u0917\u093f\u0932 <\/span><\/i>(1959\u2013)<\/span><\/p>\r\n<\/td>\r\n

Only a corpse<\/span><\/i>\r\n\r\nquestions<\/span><\/i>\r\n\r\nIn every era<\/span><\/i>\r\n\r\nOnly a corpse<\/span><\/i>\r\n\r\nKnows truth<\/span><\/i>\r\n\r\nIn every era<\/span><\/i>\r\n\r\nIt endures the misery<\/span><\/i>\r\n\r\nOf memory<\/span><\/i>\r\n\r\nOf desire<\/span><\/i>\r\n\r\nEven after the end<\/span><\/i>\r\n\r\nOver and over again<\/span><\/i>\r\n\r\nIt stands up<\/span><\/i>\r\n\r\nTo recede from itself<\/span><\/i>\r\n\r\nJust like Betal<\/span><\/i>\r\n\r\nIt is only a corpse<\/span><\/i>\r\n\r\nWhich cannot recede<\/span><\/i>\r\n\r\nAway from its body<\/span><\/i>\r\n\r\nAnd can ask<\/span><\/i>\r\n\r\nOnly questions.<\/span><\/i>\r\n\r\n\u00a0<\/span><\/i>\r\n\r\n\u2013Gagan Gill (1959\u2013)<\/span><\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n\u00a0<\/span>\r\n

A language steadily resting\/consolations of rests\/within memories\/a reader knowing<\/span><\/p>\r\n

of insistence (among repetitions)\/collecting time<\/span><\/p>\r\n

devices and notes\/a semantic congruency metamorphosing into glitters<\/span><\/p>\r\n

of looming temporality\/ an awkward stand (rethinking implosions and rarer implosions)<\/span><\/p>\r\n

befriending hosts of things.<\/span><\/p>\r\n\u00a0<\/span>\r\n\r\n\r\n\r\n
\r\n

\u090e\u0938\u093e \u0924\u0947\u0930\u093e \u0932\u094b\u0915<\/span><\/i>33<\/sup>,\u0935\u0947\u0926\u0928\u093e<\/span><\/i><\/p>\r\n

\u0928\u0939\u0940\u0902<\/span>, <\/span><\/i>\u0928\u0939\u0940\u0902<\/span> \u091c\u093f\u0938\u092e\u0947\u0902 \u0905\u0935\u0938\u093e\u0926,<\/span><\/i><\/p>\r\n

\u091c\u0932\u0928\u093e \u091c\u093e\u0928\u093e \u0928\u0939\u0940\u0902, \u0928\u0939\u0940\u0902<\/span><\/i><\/p>\r\n

\u091c\u093f\u0938\u0928\u0947 \u091c\u093e\u0928\u093e \u092e\u093f\u091f\u0928\u0947 \u0915\u093e \u0938\u094d\u0935\u093e\u0926!...<\/span><\/i><\/p>\r\n

\u2026\u0930\u0939\u0928\u0947 \u0926\u094b \u0939\u0947 \u0926\u0947\u0935! \u0905\u0930\u0947<\/span><\/i><\/p>\r\n

\u092f\u0939 \u092e\u0947\u0930\u0947 \u092e\u093f\u091f\u0928\u094734 <\/sup><\/i><\/span>\u0915\u093e \u0905\u0927\u093f\u0915\u093e\u0930!<\/span><\/i><\/p>\r\n

- <\/span><\/i>\u092e\u0939\u093e\u0926\u0947\u0935\u0940<\/span> \u0935\u0930\u094d\u092e\u093e<\/span> (1907\u20131987<\/span><\/p>\r\n<\/td>\r\n

Such is your world,<\/span><\/i>\r\n\r\nNo agony, No precipitate,<\/span><\/i>\r\n\r\nNot knowing to go through flames, not knowing<\/span><\/i>\r\n\r\nto have known the taste of erasure!...<\/span><\/i>\r\n\r\n\u2026 Let be, oh, God!<\/span><\/i>\r\n\r\nOh, this right of mine to be erased!<\/span><\/i>\r\n\r\n\u2013Mahadevi Verma (1907\u20131987)<\/span><\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n \r\n\r\nwww.bariyastudio.com<\/span><\/a>"},{"acf_fc_layout":"content_img","acfe_flexible_layout_title":"Bild(er)","bgcolor":"","bgcolor_custom":"","layout_col_size":8,"img_gallery":false,"img":[35372],"img_gallery_format":""},{"acf_fc_layout":"content_txt","acfe_flexible_layout_title":"Text","bgcolor":"","bgcolor_custom":"","layout_col_size":8,"txt_cols":"is-1-txtcol","txt":"

Pratyush Pushkar<\/strong> and Riya Raagini<\/strong> a.k.a. BaRiya<\/strong> is an independent emerging transdisciplinary artist, poet, and writer duo from New Delhi, India. Navigating disorientedly\/poetically, BaRiya assumes art as an organ to dissolve\/dwell through the remains of marginalized spirituality, create a vocal consensus with biospheres, meditate all through the gender spectrum, and probe (quantum) compulsions: while truthfully acknowledging the binary and racial barriers questioning intimate spiritual inventions.<\/span><\/p>\r\n

We have to thank \u0938\u0926\u093e\u0928\u0940\u0930\u093e \u2013 Sadaneera (sadaneera.com) for seeding in contemporary Hindi (and us), an openness towards the (translating) times of other linguistic realities, for bringing together progressive frameworks and artistic sensibilities, and for practicing a poetic detachment towards the lines which separate mediums and genres. Our friends at \u0939\u093f\u0928\u094d\u0926\u0935\u0940 \u2013 Hindwi.org for their efforts towards the ardent preservation of Hindi poetry's archive, and forays into regional Indian literature. Our \u203aHindi poetry allies\u2039, Poets \u2013 Avinash Mishra, Sudhanshu Firdaus, and Shayak Alok, mentors at poesy \u2013 Anamika, and Devi Prasad Mishra, for not only motivating a temporal rereading but also for helping us dwell into and understand the very fabric landing these curves and shifts. We also have to thank Eduardo Navarro, contemporary artist and soulmate, with whom we have pondered upon magnified droplets belonging to the vast expanse(s) of temporal beingness, a solar dial, and plays where time's non-violence and pace had us sit cozy and childishly-earnestly guessing.<\/span><\/p>"},{"acf_fc_layout":"content_footnotes","acfe_flexible_layout_title":"Fu\u00dfnoten","bgcolor":"","footnotes_list_hide_numbers":false,"footnotes":[{"footnote":"\u00a0<\/span>Kala<\/b>: <\/span>\u00bbthe <\/span>Black\u00ab <\/span>\u00bb<\/span>Time\u00ab; Kala (Shiva) and Vishnu are regarded as aspects of Cosmic Time (<\/span>Mahakala<\/span><\/i>), which is present before existence. Relative time as perceived by humans measures the duration of individual existence and is an apparent division of continuous cyclic Time in which creatures are born, increase, reach their peak, and then progressively deteriorate as the <\/span>\u00bb<\/span>wheel of time\u00ab revolves ad infinitum. Hence there is no absolute beginning or absolute end of time. All existence moves successively from a state of manifestation to a state of non-manifestation to a state of manifestation and back again. Kala is the destroyer of worlds. Hence Kala is called, <\/span>\u00bb<\/span>the Black,\u00ab although the actual destructive function is assigned to Kala\u2019s <\/span>sakti<\/span><\/i> Kali. Kala is said to be <\/span>\u00bb<\/span>the cook of creatures\u00ab by creating and bringing them to fruition when they are fit to be swallowed by <\/span>\u00bb<\/span>Death,\u00ab who has fierce red eyes and holds a noose <\/span>(pasa) <\/span><\/i>with which to ensnare his victims.<\/span>"},{"footnote":"Four primary eras of Hindi poetry are: Adikal (the Early Period, tenth\u00a0 to fourteenth\u00a0 centuries),<\/span> Bhaktikal<\/span> (the Devotional Period, fourteenth to eighteenth century) Ritikal (the Scholastic Period, eighteenth to twentieth centuries), Adhunikkal (the Modern Period, twentieth century onward)<\/span>"},{"footnote":"\u0936\u094d\u0930\u0943\u0902\u0917\u093e\u0930<\/b>: <\/span>\u015b<\/span>r<\/span>\u1e5b\u1e45<\/span>g<\/span>\u0101<\/span>ra; Shringa<\/span>r love, the ero<\/span>tic sentiment, sexual passion or desire; elegant; makeup; adornment; \u0917\u0940\u0924 amorous\/amatory song \u2013 a song conveying erotic\/amorous feelings.<\/span>\u00a0<\/span>"},{"footnote":"This refers to the kind of <\/span>contrapuntal<\/b> reading bequeathed in the postcolonial theories of Edward Said. Here Said describes a reading strategy that exposes elements of colonial discourse hidden within a text. Contrapuntal reading not only unveils the colonial perspective but also tries to read for nuances of resistance (counterpoints) that are present within the same narrative. We apply a similar method in the reading of temporality and the gazes and systems attached to it, with counterpoints provided in the vast archive of Hindi poetry.\u00a0<\/span>"},{"footnote":"Disrememberment, (memories without a form, where there is some intuitive ground, but not one with intention), <\/span>\u0935\u093f\u0938\u094d\u092e\u0943\u0924\u093f<\/b> vism\u1e5bti [S.], f. 1. Oblivion. 2. Forgetfulness.<\/span>"},{"footnote":"\u00a0<\/span>\u0915\u0941\u0906\u0901:kuan:<\/b> the well as a temporal device<\/span>"},{"footnote":"\u00a0<\/span>\u092a\u094d\u0930\u0924\u0940\u0915\u094d\u0937\u093e:<\/b> prat\u012bk\u1e63\u0101, pratiksha: waiting (for); wait; expectation; ~<\/span>\u0915\u094d\u0937\u093f\u0924<\/b> awaited.<\/span>"},{"footnote":"\u00a0<\/span>\u0905\u0924\u0940\u0924:<\/b> at\u012b<\/span>ta [s.], adj. <\/span>1. adj. past, elapsed. 2. former. 3. detached, free (from, \u0938\u0947). 4. in comp. beyond, surpassing. \u0917\u0941\u0928\u093e\u0924\u0940\u0924, adj. Brbh. philos<\/span>. beyond <\/span>the <\/span>gu\u1e47as<\/span><\/i> {constitu<\/span>ents, of the phenomenal world (the supreme being)}. 5. beyond, ahead.<\/span>"},{"footnote":"\u0935\u0930\u094d\u0924\u092e\u093e\u0928:<\/b> vartam\u0101<\/span>na [s.], adj.\u00a0 1. ex<\/span>isting, present (time, situation); of the present day. 2. current (month, year). 3. present, confronting (one): a situation. 4. the present (time). \u2014 \u0935\u0930\u094d\u0924\u092e\u093e\u0928-\u0915\u093e\u0932.<\/span>"},{"footnote":"\u0907\u0924\u093f\u0939\u093e\u0938<\/b>: itih\u0101sa: n. : history.<\/span>"},{"footnote":"\u0935\u0930\u094d\u0937<\/b>: var\u1e63a var\u1e63a year [\u0905\u0917\u0932\u093e next, \u092a\u093f\u091b\u0932\u093e last, \u0935\u0930\u094d\u0924\u092e\u093e\u0928 present, \u0928\u0935 new]; \u092a\u094d\u0930\u0924\u093f ~ every \u2013, yearly.<\/span>"},{"footnote":"\u0927\u0940\u0930\u0947<\/b>:dheer<\/span>e: adv. s<\/span>lowly; gradually; deliberately (of speech); patiently; gently, softly, quietly.<\/span>"},{"footnote":"\u092e\u0928:<\/b> mana [manas-] 1. The mind (as seat of perception and feeling). 2. The heart. 3. The soul. 4. Wish, inclination; will; purpose. 5. Character, temperament.<\/span>"},{"footnote":"\u0935\u093f\u0918\u091f\u093f\u0924<\/b> vigha\u1e6dita vigha\u1e6dit (a) disintegrated, disorganized, disrupted; decomposed; disbanded; dismembered; dismantled.<\/span>"},{"footnote":"Standard tuning of a \u0924\u093e\u0928\u092a\u0941\u0930\u093e (so do\u2019 do\u2019 do) \u2013 The <\/span>tanpura<\/b> (Hindi: \u0924\u093e\u0928\u092a\u0942\u0930\u093e) or <\/span>tambura<\/b>, <\/span>tanpuri<\/b> is a long-necked plucked<\/span> string instrument<\/span><\/a>, originating from<\/span> India<\/span><\/a>, found in various forms in<\/span> Indian music<\/span><\/a>. It does not carry a<\/span> melody<\/span><\/a>, but rather supports and sustains the melody of another instrument or singer by providing a continuous harmonic<\/span> bourdon<\/span><\/a> or<\/span> drone<\/span><\/a>. A tanpura is not played in rhythm with the soloist or percussionist: as the precise timing of plucking a cycle of four strings in a continuous loop is a determinant factor in the resultant sound. The combined sound of all strings \u2013 each string a fundamental tone with its own spectrum of<\/span> overtones<\/span><\/a> \u2013 supports and blends with the external tones sung or played by the soloist.<\/span>"},{"footnote":"\u0935\u093f\u0936\u094d\u0930\u093e\u092e<\/b>: vi\u015br\u0101ma vishr\u0101m n. : rest [\u0905\u0928\u0928\u094d\u0924, eternal, \u0925\u094b\u095c\u093e a little, \u092a\u0942\u0930\u093e complete]; \u090f\u0915 \u0918\u095c\u0940 \u0915\u093e ~ a few minutes.<\/span>"},{"footnote":"Entanglement occurring across two quantum systems that never coexisted. Elise Crull, \u00bb<\/span>You thought quantum mechanics was weird: check out entangled time,\u00ab <\/b>in: <\/span>Aeon<\/span><\/i> magazine. Online at: <\/span>\u00a0<\/span><\/a>https:\/\/aeon.co\/ideas\/you-thought-quantum-mechanics-was-weird-check-out-entangled-time<\/span><\/a>.<\/span>"},{"footnote":"\u0915\u0930\u0941\u0923\u093e:<\/b> karu\u1e47\u0101 n. f. : pity, compassion, pathos; benignity; tenderness of feelings.<\/span>"},{"footnote":"\u00a0<\/span>\u0935\u093f\u0932\u0902\u092c:<\/b> vilam<\/span>ba [s.] ad<\/span>j. m. : slowness, delay.<\/span>"},{"footnote":"\u0915\u093e\u0915, \u0935\u0915\u094d\u0930, \u0909\u0915\u094d\u0924\u093f<\/b>: crow, slant, and, speech is also a poetic device,<\/span> an Alankar i<\/span>n Hindi poetry, which emphasizes tonal rhetoric.<\/span>"},{"footnote":"\u00a0<\/span>\u0909\u0926\u092f:<\/b> uday<\/span>a [s.] v. :\u00a0 1.<\/span> rising, rise (esp. of heavenly bodies); ascent; the east. 2. appearance, advent. 3. light, splendour. 4. rise, progress; prosperity.<\/span>"},{"footnote":"\u0905\u0938\u094d\u0924<\/span> asta [s.], adj. 1. home: setting (a heavenly body). 2. fall, decline. 3. the west. 4. adj. setting (a heavenly body). 5. set. \u2014 ~ \u0939\u094b\u0928\u093e, to set (the sun, ) \u2013 \u0905\u0938\u094d\u0924-\u0915\u093e\u0932, m. time <\/span>of setting; period of decline.<\/span>"},{"footnote":"K\u00e4lacakra_ <\/b>\u203aWheel (Chakra) of Time.\u2039 Time regarded as cyclic and symbolized by a rotating wheel.<\/span>"},{"footnote":"\u0915\u093e\u0932\u091a\u0915\u094d\u0930, \u091c\u0940\u0935\u0928 \u091a\u0915\u094d\u0930 <\/span><\/i>(life cycle), <\/span>\u0926\u0941\u0936\u094d\u091a\u0915\u094d\u0930 <\/span><\/i>(cycle of viscousness),<\/span> \u0938\u094c\u0930 \u091a\u0915\u094d\u0930 <\/span><\/i>(solar cycle), <\/span>\u0938\u0941\u0916\u0926 \u091a\u0915\u094d\u0930 <\/span><\/i>(cycle of prosperity),<\/span> \u0926\u092e\u0928-\u091a\u0915\u094d\u0930<\/span><\/i> (cycle of oppression),<\/span> \u0905\u0917\u094d\u0928\u093f-\u091a\u0915\u094d\u0930 <\/span><\/i>(cycle of fire),<\/span> \u0935\u0923\u093f\u0915 \u091a\u0915\u094d\u0930 <\/span><\/i>(trade-cycle),<\/span> \u092c\u094d\u0930\u0939\u094d\u092e-\u091a\u0915\u094d\u0930 <\/span><\/i>(cosmic cycle),<\/span> \u0928\u0947\u0924\u094d\u0930 \u091a\u0915\u094d\u0930 <\/span><\/i>(cycle of sight), <\/span>\u090b\u0924\u0941 \u091a\u0915\u094d\u0930 <\/span><\/i>(seasonal cycle) <\/span>\u2026 \u091a\u0915\u094d\u0930<\/span><\/i>"},{"footnote":"\u00a0<\/span>\u091a\u0915\u094d\u0930<\/b> chakra chakkr (nm) a wheel; cycle; circle; disc, discus; discus-shaped missile; ~\u0917\u0924\u093f circular motion; ~\u0923 spin(ning);<\/span>"},{"footnote":"\u00a0<\/span>\u0938\u093e\u092f\u093e s\u0101y<\/span>\u0101 [P. <\/span>s\u0101ya], m. f. : 1. shade; shadow. 2. shelter, protection. 3. an apparition. 4. influence (of an evil spirit: also fig.) <\/span>"},{"footnote":"\u092d\u0935\u093f\u0937\u094d\u092f:\u00a0 bhavishya n. :\u00a0 the future; destiny; -\u0915\u093e\u0932 the future tense; futurity; -\u0915\u0925\u0928 prophesy, forecast; -\u091c\u094d\u091e\u093e\u0928 knowledge of the future; ~\u0926\u0930\u094d\u0936\u0940 a seer, one who can see through into the future.<\/strong>"},{"footnote":"\u00a0<\/span>\u0932\u092e\u0939\u093e: lam<\/span>ah\u0101 n. : a<\/span> moment, an instant.<\/span>"},{"footnote":"\u00a0<\/span>\u092a\u0941\u0930\u093e\u0928\u093e<\/b>: pur\u0101n\u0101 adj. : old, olden, ancient; of the past, of bygone ages.<\/span>"},{"footnote":"\u00a0<\/b>\u0916\u0902\u0921\u0939\u0930: kha\u1e47\u1e0dahara [*kha\u1e47\u1e0daghara-] m, adj. : 1. a ruin, ruined building. 2. A dilapidated building. 3. (singular or plural) mass of (as of a village or town). 4. adj. ruined; dilapidated.<\/strong>"},{"footnote":"\u0905\u0935\u0936\u0947\u0937<\/b>: ava\u015b\u0113\u1e63a avshesh n. :\u00a0 remnant, remains, residue, residum; vestige; relics;\u00a0 adj.: remaining, residual.<\/span>"},{"footnote":"\u0935\u0947\u0924\u093e\u0932<\/b>: v\u0113t\u0101la veta n. : a goblin, evil spirit, ghost (a storyteller ghost from the popular Hindi tale Vikram-Vetal) <\/span>"},{"footnote":"\u00a0<\/span>\u0932\u094b\u0915<\/b> l\u014dka lok n. : the world; one of the three worlds \u2013 \u0938\u094d\u0935\u0930\u094d\u0917, \u092a\u0943\u0925\u094d\u0935\u0940, \u092a\u093e\u0924\u093e\u0932; one of the fourteen worlds (of which seven are above and seven below); people, folk; public; popular, public.<\/span>"},{"footnote":"\u00a0<\/span>\u092e\u093f\u091f\u0928\u093e<\/b> mi\u1e6dan\u0101 mi\u1e6dn\u0101 v. : to be effaced; to be\u00a0 erased; to be ruined, to be undone, to be destroyed.<\/span>"}]}],"intro_preview_headline":"Kalachakra by Pratyush Pushkar and Riya Raagini a.k.a. BaRiya","intro_preview_txt":"Kalachakra<\/em> gathers temporal hacks within an archive of translated Hindi poetry spanning epochs. Synthesizing fragments in Hindi poetics with contrapuntal plead and spirituality, BaRiya\u2019s anthology represents language\u2019s quantum and inherited nature. Or with what they describe as \u00bbchants and lore emanating from language\u2019s dips into temporal devices, of disrememberment, of devotion, of ruins, of elsewhere(s), of waiting, of delays; of restfulness.\u00ab<\/span>","intro_preview_img":35368,"post_id_old":"","post_author":null,"post_subtitle":"Pratyush Pushkar and Riya Raagini a.k.a. BaRiya","post_preview_img_hide_on_single":true,"post_txt_old":"","post_pdf":"","post_copyright":"ccl_cc_by_nc_nd","translated_post":false,"translations":null,"post_copyright_individual":"","post_related_posts":[35189,34825,35125],"related_posts_post":""},"_links":{"self":[{"href":"https:\/\/www.akademie-solitude.de\/de\/wp-json\/wp\/v2\/posts\/35058","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.akademie-solitude.de\/de\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.akademie-solitude.de\/de\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.akademie-solitude.de\/de\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/www.akademie-solitude.de\/de\/wp-json\/wp\/v2\/comments?post=35058"}],"version-history":[{"count":0,"href":"https:\/\/www.akademie-solitude.de\/de\/wp-json\/wp\/v2\/posts\/35058\/revisions"}],"acf:post":[{"embeddable":true,"href":"https:\/\/www.akademie-solitude.de\/de\/wp-json\/wp\/v2\/posts\/35125"},{"embeddable":true,"href":"https:\/\/www.akademie-solitude.de\/de\/wp-json\/wp\/v2\/posts\/34825"},{"embeddable":true,"href":"https:\/\/www.akademie-solitude.de\/de\/wp-json\/wp\/v2\/posts\/35189"}],"wp:attachment":[{"href":"https:\/\/www.akademie-solitude.de\/de\/wp-json\/wp\/v2\/media?parent=35058"}],"wp:term":[{"taxonomy":"project","embeddable":true,"href":"https:\/\/www.akademie-solitude.de\/de\/wp-json\/wp\/v2\/project?post=35058"},{"taxonomy":"project_type","embeddable":true,"href":"https:\/\/www.akademie-solitude.de\/de\/wp-json\/wp\/v2\/project_type?post=35058"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}