{"id":19431,"date":"2020-03-31T12:59:49","date_gmt":"2020-03-31T10:59:49","guid":{"rendered":"https:\/\/www.akademie-solitude.de\/news\/publish-72\/"},"modified":"2021-04-05T23:37:06","modified_gmt":"2021-04-05T21:37:06","slug":"aykan-safoglu-and-georges-senga-are-part-of-the-21st-contemporary-art-biennial-sec_videobrasil","status":"publish","type":"news","link":"https:\/\/www.akademie-solitude.de\/en\/news\/aykan-safoglu-and-georges-senga-are-part-of-the-21st-contemporary-art-biennial-sec_videobrasil\/","title":{"rendered":"Aykan Safo\u011flu and Georges Senga are part of the 21st Contemporary Art Biennial Sec_Videobrasil"},"content":{"rendered":"","protected":false},"author":1,"featured_media":19432,"template":"","news_type":[664],"class_list":["post-19431","news","type-news","status-publish","hentry","news_type-news-en"],"acf":{"bgcolor":"","bgcolor_custom":"","custom_color_css_variable":"","content_type":[{"acf_fc_layout":"content_txt","bgcolor":"","bgcolor_custom":"","layout_col_size":8,"txt_cols":"is-1-txtcol","txt":"The 21st Biennial borrows its title \u00bbImagined Communities\u00ab from Benedict Anderson\u2019s classic study of the rise of nationalism to reflect on forms of social and community organization existing beyond, on the fringes or in the breaches of nation states. The 21st Biennial wants to establish a common ground for all kinds of community imaginations, especially with regard to nationalism as a critical theme nowadays.\r\n\r\nAykan Safo\u011flu presents his video work\u00a0Off-White Tulips<\/em>\u00a0<\/strong>\r\n\r\nIn his art practice, Aykan Safo\u011flu forges relationships \u2013 friendships, even \u2013 across cultural, geographic, linguistic, as well as temporal boundaries. Working across film, photography and performance, he makes open-ended enquiries into cultural belonging, creativity and kinship. Aykan holds a master\u2019s degree in photography from the Milton Avery Graduate School of the Arts at Bard College, Annandale-On-Hundson, NY\/USA, and a master\u2019s degree from the Art in Context program at Universit\u00e4t der K\u00fcnste Berlin\/Germany. He has presented his work in countries including Sweden, New Zealand, Germany, Lebanon and the USA. In 2018, he was a fellow at Akademie Schloss Solitude. Aykan lives and works in Berlin.\r\n\r\nAt the 21st Contemporary Art Biennial Sesc_Videobrasil, he presents his video work Off-White Tulips<\/em> of 2013. Off-White Tulips<\/em> is entirely composed of archive images and records of objects that are written, one by one, by the camera, creating an imaginary conversation between the artist and the American writer James Baldwin, who lived in Istanbul in the 1960s and 1970s. Aykan relates his personal journey to Baldwin\u2019s, whose identity as a gay black man enables the filmmaker to investigate the political dimensions of racism and tolerance, while bringing the popular Turkish and American icons of the time into the conversation, in an unlikely autobiography narrated in third person. Off-White Tulips<\/em> has been presented at Akademie Schloss Solitude in September 2018.\r\n\r\nGeorges Senga Assani presents his photography series\u00a0Cette maison n\u2019est pas \u00e0 vendre et \u00e0 vendre<\/em><\/strong>\r\n\r\nGeorges Senga Assani works as a photographer in Lubumbashi.\u00a0He first was discovered at the Rencontres Picha Biennale de Lubumbashi by Marie-Fran\u00e7oise Plissart and Sammy Baloji. He joined the class master degree organized by the Goethe-Institut Johannesburg\/South Africa, Lubumbashi (2012), and Lagos\/Nigeria (2013). The third and fourth series of photographs titled\u00a0a life after death<\/em>\u00a0and\u00a0Kadogos<\/em>\u00a0were presented in 2014 at the Kampala Art Biennale and in 2013 at Rencontres Picha Biennale de Lubumbashi. Earlier, in 2009, his project\u00a0impressed<\/em>\u00a0was presented at the second Lubumbashi Biennale with Simon Njami. He received a research grant by PRO HELVELTIA in 2014 for his photo project\u00a0TRANSIT. In 2015, he was a fellow at WIELS Contemporary art centre, Forest\/Belgium, as well as part of the project African Odyssey at the arts center BRASS.\r\n\r\nAt the 21st Contemporary Art Biennial Sesc_Videobrasil, he presents his photographic work\u00a0Cette maison n\u2019est pas \u00e0 vendre et \u00e0 vendre<\/em>\u00a0of 2016. Two situations of conflict over urban territory compose the series. In Lubumbashi, in the Democratic Republic of Congo, Georges Senga came across several houses with the sentence \u00bbCette maison n\u2019est pas \u00e0 vendre\u00ab [This house is not for sale], haphazardly painted on the front. Objects of family inheritance disputes, these houses were photographed inside and outside, documenting the memories and attachment of residents to their homes. In the city of Praia Grande (on the coast of the state of S\u00e3o Paulo\/Brazil), in turn, amidst a context of rapid urban change, Georges Senga documented the fronts and surroundings of houses that are indeed for sale. In this case, the potential memories and fondness evoked by the buildings, and also their walls, will soon disappear.\u00a0Cette maison n\u2019est pas \u00e0 vendre et \u00e0 vendre<\/em>\u00a0has been exhibited at Akademie Schloss Solitude in January 2017."}]},"_links":{"self":[{"href":"https:\/\/www.akademie-solitude.de\/en\/wp-json\/wp\/v2\/news\/19431","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.akademie-solitude.de\/en\/wp-json\/wp\/v2\/news"}],"about":[{"href":"https:\/\/www.akademie-solitude.de\/en\/wp-json\/wp\/v2\/types\/news"}],"author":[{"embeddable":true,"href":"https:\/\/www.akademie-solitude.de\/en\/wp-json\/wp\/v2\/users\/1"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.akademie-solitude.de\/en\/wp-json\/wp\/v2\/media\/19432"}],"wp:attachment":[{"href":"https:\/\/www.akademie-solitude.de\/en\/wp-json\/wp\/v2\/media?parent=19431"}],"wp:term":[{"taxonomy":"news_type","embeddable":true,"href":"https:\/\/www.akademie-solitude.de\/en\/wp-json\/wp\/v2\/news_type?post=19431"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}