Willy Daum

Field of Practice:

Music / Sound

City, Country:

Bremen, Germany


1990, 1991


Feb 1992 - June 1992

Born 1959 in Gifhorn/Germany.

1980–1985 Hochschule für Gestaltende Kunst und Musik, Bremen/Germany (main subjects: piano and drums).

1997 Artist in Residence am Colorado College, CO/USA.

Compositions (selection): Die Musik zum Film, with Ulrik Spies (1991); Titus Andronicus, for the bremer shakespeare company (1992); Kunstrasen, with Britta Lieberknecht (1993); Pericles, for the bremer shakespeare company (1994); Das Fremde und das Andere, with the author Sandra Kellein (1995); Wandern, with Marianne Schuppe (1996); Tripping on the Tongue, for Frauke Havemann, choreography (1996); CLEA, for the Bremer Klarinetten Quartett (1997); Was Ihr wollt, for the Tiroler Landestheater, Innsbruckk, directed by Pit Holzwarth (1997); Hamlet, for the bremer shakespeare company (1998); Top Dogs, für das Staatstheater Kassel, directed by Pit Holzwarth (1999); Brides uncensored, for Frauke Havemann, choreography (1999); Die Kinder von der Bulldogs Bank, music for the documentary by Beatrix Schwehm (1999); Die Glücklichen, music for the radio play by Sabine Küchler for the SWR (1999).