Saturated borders, Sonic clashes

About a border

In their conventional apprehension, borders are sedimented with an illusionary fixity that conceals their inherent dynamism. The traditional bifurcation between inside and outside is but a stratagem of thought that obscures the manifold interactions within these purportedly rigid demarcations. But going further, borders are complex configurations in which political regimes, cultural ecosystems, technologies, and effects are intertwined. They also serve as conduits for the movement of bodies and goods, and as barriers hindering such mobility.
The urgency to dispute and redefine the very notions of border and frontier is apparent in our contemporary context. The dominant discourse characterizes borders as entities driven by property, control, privatization, and measurability, seamlessly aligning with colonial and capitalist projects. This discourse perpetuates the desire to meticulously document and manipulate every square inch of our external and internal landscapes. However, within this dense and shifting interweaving of determinations and openings, a plurality of meanings and forms emerges.
Today, it seems to be particularly urgent to dispute and resignify the very notions of border and frontier. They are no longer passive geographical features, but active interfaces governed by the logic of encoding and decoding. The nomadic traversing of borders is reduced to a series of electronic transactions, each bit articulating the intricate dance of power relations within the digital domain. Within this networked paradigm, borders metamorphose into conduits for the relentless flow of digital information, rendering the notion of fixity obsolete.
The digitalization of borders within this techno-deterministic narrative propels them beyond the physical realm into a web of electronic interactions, in which the relentless march of technology reshapes their essence and significance.
As media technologies become obsolete, they create a boundary between the past and present, shaping our collective memory. The preservation of outdated media artifacts becomes an archaeological endeavor, bridging the gap between technological eras and helping us understand the evolution of communication technologies.
In the context of borders, media archaeology prompts us to question the power dynamics embedded in the creation and dissemination of information. The framing of narratives, manipulation of images, and control over media channels can act as invisible borders, influencing public opinion and reinforcing societal divisions. It extends to the ways in which digital platforms curate content and algorithms shape our online experiences. These algorithmic borders guide users within predetermined informational boundaries, influencing their perspectives and limiting exposure to diverse viewpoints. Digital monitoring enforces conformity to established norms within the bordered space.
By excavating the layers of media history, we gain insights into the complex interplay between technology, communication, and the borders that define our contemporary world as instruments of social control and normalization.
Media, as a powerful tool of discourse, contributes to the formation and reinforcement of border narratives. For example, the framing of immigrants in certain discourses can perpetuate stereotypes and justify exclusionary border practices.

What if we think of borders as assemblages interwoven with various forces? As a complex entanglement, where human and non-human actors converge to shape their material expression and the technological protocols that shape borders not as mere deterministic forces but as lively actors within these assemblages? The continual evolution of these protocols and standards could become an ongoing negotiation between diverse entities, both animate and inanimate, constantly shifting in the complex interplay of technology, biology, and culture.
A perspective that challenges anthropocentrism, highlighting the interdependence of humans, animals, machines, and the environment. Borders therefore extend beyond human-centric perspectives to include the entanglement of diverse entities. The blurring of boundaries between the organic and the technological signifies a departure from conventional border discourse, emphasizing a more inclusive and interconnected worldview.

Sonic clashes